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John Constable: Toward a Complete Chronology. - Reed College

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1834 April 15 Letter from George Field at Isleworth to J.C. in Hampstead.<br />

(JC: FDC, p. 171)<br />

1834 April 22 Letter from Alaric Watts in London to J.C. (JCC V, p. 96)<br />

1834 April Charitable appeal-card, with verso, Drawing No. 361 in the<br />

V.A. (JCC IV, p. 222)<br />

1834 April Sends three oils and one drawing to the Royal Hibernian<br />

Academy Exhibition. (JC: FDC, p. 204)<br />

1834 May 3 Note from Edward Price in Bucknall to J.C. in London. (JC:<br />

FDC, p. 266)<br />

1834 May 3 Letter from Charles Rossi in London to J.C. in London. (JC:<br />

FDC, p. 284)<br />

1834 May 15 Letter from Sir William Beechey in Hampstead to J.C. in<br />

Hampstead. (JC: FDC, pp. 178-80)<br />

1834 May 26 Letter from J.C. in London to George Papworth in Dublin. (JC:<br />

FDC, p. 204-05)<br />

1834 May 28 Letter from George Papworth in Dublin to J.C. in London. (JC:<br />

FDC, pp. 205-06)<br />

1834 May Exhibits large watercolor of Old Sarum at Royal Academy<br />

exhibition. Also exhibits two drawings, "Stoke Pogis church,<br />

near Windsor, the scene of Gray's Elegy, also where he was<br />

buried," and a view of the interior of the church, at Royal<br />

Academy exhibition. Both drawings were made for <strong>John</strong><br />

Martin's edition of Gray's Elegy. (JCC V, pp. 84, 92)<br />

1834 May Copy of English Landscape with the inscription: "To Henry<br />

Wm. Pickersgill, Esq., with <strong>John</strong> <strong>Constable</strong>'s best regards.<br />

May, 1834." (JC: FDC, p. 265)<br />

1834 June 2 Opening of exhibition of modern works by British artists at<br />

Athenaeum in Worcester, to which J.C. sends "Salisbury<br />

Cathedral—from the Bishop's Grounds," either the original or<br />

a later version, and "Landscape—a Barge passing a Lock on<br />

the Stour, Suffolk." (JCC V, pp. 59-60)

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