John Constable: Toward a Complete Chronology. - Reed College

1829 Nov 23 Pencil drawing at Salisbury, dated 23rd November. (JCC VI, p.
254)
1829 Dec 15 Letter from John Fisher in Osmington to J.C. in London: "Will
it disturb you much, if I ask you whether you can turn your
two great pictures into money for me? . . . Or if you do not
like my parting with them, whether you will advance me £200
on them, they remaining in pledge." (JCC VI, pp. 254-55)
1829 Dec 26 Letter from J.C. in London to David Lucas in London, (The
year in the date can also be read as 1836): "[bring] the next
. . . proof of the Water Mill—say about Wednesday." J.C. also
mentions plates of A Summerland and The Church, (probably
Stoke by Neyland). (JCC IV, pp. 322-23)
1829 Dec 29 Letter from John Fisher in Osmington to J.C. in London: "My
wife sends her kindest regards, and her thanks for your
painting instruction, by which she profits." (JCC VI, pp. 255-
56; see also JC: FDC, p. 120)
1829 Engraving in line by Frederic Smith of J.C.'s View of Brighton
with the Chain Pier. (JCC IV, pp. 159, 317)
1829 Proofs of engraving by Lucas of A Mill near Brighton. (JCC IV,
p. 320)
1829 Painting of Hadleigh Castle. (JCC I, p. 105)
1829 Portrait of Dr. Herbert Evans, "obscurely dated 1829" and
signed John Constable ARA; a portrait of his mother was also
done this year. (JCC V, p. 108; see also JC: FDC, p. 178)
1829 Proof of a plate by Lucas of Old Sarum, done from J.C.'s oilsketch.
(JCC IV, p. 323; see also JC: FDC, p. 234)
1829 Francesco Algarotti's An Essay on Painting Written in Italian
by Count Algarotti F.R.S. F.S.A. given to J.C. apparently by
George Field. (JC: FDC, p. 27)
1829 Engraving by Lucas of Summer Evening begun. (JCC IV, p.
342)