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John Constable: Toward a Complete Chronology. - Reed College

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(JCC VI 1968, pp. 86-89; see also JCC II, pp. 274-75, JCC I,<br />

p. 203 and JCC IV pp. 136, 178, 243, 246)<br />

1822 April 15 Letter from sister Ann at East Bergholt to J.C. in London.<br />

(JCC I, p. 203)<br />

1822 April 16 Letter from <strong>John</strong> Fisher in Osmington to J.C. in London. (JCC<br />

VI, p. 89)<br />

1822 April 17 Letter from J.C. in London to <strong>John</strong> Fisher in Osmington: "I am<br />

now busy on some minor works which bring things soon<br />

about again. . . . I must work hard this summer. . . . I am<br />

about Farrington's house . . . but I am loth to leave a place<br />

where I have had so much happiness . . . and where I painted<br />

my four landscapes." (JCC VI, pp. 90-91; see also JCC II, p.<br />

275, JC: FDC, pp. 117, 214 and JCC IV, p. 179, 261)<br />

1822 April 23 Inventory of remaining contents in Farington's house,<br />

including an entry in J.C.'s hand in pencil on the inside of the<br />

back cover, and initialed by him. (JC: FDC, p. 215)<br />

1822 April Extract of letter, accompanying sketch of 1 April, probably<br />

written later in April when sketch is sent to <strong>John</strong> Fisher: "The<br />

composition is almost totally changed from what you saw. I<br />

have taken away the sail, and added another barge in the<br />

middle of the picture, with a principal figure, altered the<br />

group of trees, and made the bridge entire. The picture has<br />

now a rich centre, and the right-hand side becomes only an<br />

accessory." (JCC VI, p. 89)<br />

1822 April J.C. shows the View on the Stour, near Dedham, showing the<br />

foot-bridge at Flatford, at the Royal Academy. (JCC I, p.<br />

203; see also JCC II, p. 93)<br />

1822 April Letter from J.C. in London to <strong>John</strong> Fisher in Osmington:<br />

"[Tinney] has desired me to paint as a companion to his<br />

landscape, another picture—at my leisure—& for 100 Gns.<br />

[with the] stipulation that it must be exhibited. . . . It will<br />

enable me to do another large work as a certainty. . . . I am<br />

going to see the private view of the water colors by Jackson.<br />

. . . I enclose you the little sketch that made part of a former<br />

letter I mentioned to you—but which I did not send." (JCC VI,

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