John Constable: Toward a Complete Chronology. - Reed College

artists. Sir G.B. asked me saying that I shall be paid for my
time." (JCC II, pp. 347-48; see also JCC IV, p. 68, 184)
1824 early July Retouches Dorothea Fisher's copy of J.C.'s Gillingham Bridge
before sending it back. (JCC VI, p. 166)
1824 July 1 Journal entry from J.C. in London to Maria. (JCC II, pp. 348-
50)
1824 July 2 Two journal entries to Maria from J.C. in London: one before
he sends installment, one after. (JCC II, p. 351; see also JCC
IV, p. 68 and JCC I, p. 211)
1824 July 2 Letter from sister Mary at Flatford to J.C. in London: "I hope
you are all well, both in London, and at Brighton." (JCC I, pp.
211-12)
1824 July 3 Letter from J.C. in London to John Arrowsmith in Paris. (JCC
IV, p. 185)
1824 July 3 Journal entry from J.C. in London to Maria. (JCC II, pp. 352-
54)
1824 July 4 Journal entry from J.C. in London to Maria. (JCC II, p. 354)
1824 July 5 Journal entry from J.C. in London to Maria: "Thank God I have
done Mr. Lewis's portrait, a nice copy—& painted a sky this
afternoon." (JCC II, pp. 354-55; see also JCC IV, p. 68)
1824 July 5 Letter from sister Mary in East Bergholt to J.C. in London.
(JCC I, pp. 212-13)
1824 July 7 Journal entry from J.C. in London to Maria: "[Sir Beaumont]
brought away another specimen or two and a nice rich
upright one like Rembrandt, and he lent me his lovely little
Rubens, & the Teniers and another German landscape to take
care of. . . . After dinner got to work and did up a picture for
Sir G." J.C. records newspaper article: "'Two landscapes from
the pencil of Mr. Constable . . . have attracted great attention
in Paris." Meets Gilbert Newton and the Chalons at the house
of Rochard, the French miniaturist, in London. (JCC II, p. 356;
see also JCC IV, pp. 185, 276)