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Osprey - General Military - Knight - The Warrior and ... - Brego-weard

Osprey - General Military - Knight - The Warrior and ... - Brego-weard

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himself as a scholar. Similarly, the account of the Fourth Crusade by Geoffrey de<br />

Villehardouin is very much a dispassionate narrative rather than being a personal<br />

memoir. We get a much more personal account in Joinville's Life of Saint LouLt, but<br />

even here, when it comes to the description ot battle, it is the action he witnessed <strong>and</strong><br />

was a part of rather than the things he felt that come to the fore.<br />

Even when we do get what appears to be the emotional response of a warrior to<br />

battle, we must be careful. Can we really believe the 12th-century knight <strong>and</strong> poet<br />

Bertr<strong>and</strong> du Born, for example, when he writes:<br />

I love it when the chargers throw everything <strong>and</strong> everybody into confusion, And I enjoy<br />

seeing strong castles besieged, <strong>and</strong> bastions broken down <strong>and</strong> shattered, And seeing the<br />

army all surrounded by ditches, protected by palisades of stout tree trunks jammed<br />

together ... I tell you, neither in eating, drinking, nor sleeping, do I find what 1 feel<br />

when I hear the shout 'At them!' from both sides, <strong>and</strong> the neighing of riderless horses<br />

in the confusion or the call 'Help! Help!' or when I see great <strong>and</strong> small together fall on<br />

the grass of the ditches; or when I espy dead men who still have pennoned lances in<br />

their ribs.<br />

It sounds very much like the sentiments in a heroic epic like <strong>The</strong> Song of Rol<strong>and</strong> or an<br />

Arthurian romance. It is hard to believe that knights really felt like that about battle<br />

although, as we have seen, the chivalric ethos could have a major impact on the way<br />

in which the knight conducted himself in war.<br />

Gerald of Wales seems to reinforce this idea of the knight 's lust for battle, when he<br />

has the Anglo-Norman comm<strong>and</strong>er Raymond le Gros discussing the fate of prisoners<br />

taken at Wexford by Anglo-Normans in 1170, saying that:<br />

In the midst of martial conflict it is a soldier's duly, clad in his helmet, to thirst for blood,<br />

to concentrate on killing, to plead his case with his sword alone, to show himself in all his<br />

actions an unyielding warrior, displaying a ferocity more than ordinarily brutal. But by<br />

the same token, when the turmoil of battle is over <strong>and</strong> he has laid aside his arms, ferocity<br />

too should be laid aside, a humane code of behaviour should be once more adopted...<br />

Again, however, we must be careful not too assume too much from what are almost<br />

certainly not Raymond's actual words but Gerald's carefully crafted prose.<br />

So much of what we read is like this: examples of battlefield courage <strong>and</strong> fear<br />

dressed up to reinforce the chivalric ideals. <strong>The</strong> 14th-century <strong>The</strong> Vowj of the Heron has<br />

what might be a more realistic perspective on the question; after describing the banter<br />

<strong>and</strong> the boasting that takes place in the warmth of the tavern it continues:<br />

CAMPAIGN AND BATTLE -J*<br />

Opposite: <strong>The</strong> Holkham<br />

picture bible of 1327-35<br />

separates out the warfare<br />

of 'Le grant peuple' from<br />

'le comoune gents' but<br />

apart from their armour<br />

<strong>and</strong> horses there is little to<br />

distinguish the two groups,<br />

particularly in the ferocity<br />

of the combat. (© British<br />

Library)<br />

129

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