Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
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loricati <strong>and</strong> armati, mail-clad' or 'armoured' men, making this connection clear. As we<br />
have seen, Gerald of Wales notes that in mainl<strong>and</strong> Europe armour is a mark of<br />
distinction'. In the romance <strong>and</strong> epic tales, the quality <strong>and</strong> virtue of the hero is represented<br />
by the quality <strong>and</strong> decoration of his armour. In the tale of Erec <strong>and</strong> Enide, when the<br />
Arthurian hero Erec is about to ride out to defeat a haughty opponent <strong>and</strong> claim a prize<br />
for his love Enide, he asks his future father-in-law il he might borrow some armour<br />
'old or new, I care not, ugly or beautiful'. <strong>The</strong> man responds that Erec need have no fear<br />
on that count as he had 'good <strong>and</strong> beautiful armour' that he would gladly lend him.<br />
As the hero rides through the streets with the beautiful Enide at his side everyone declares<br />
that he must be a very fine warrior because the fine armour suits him so well.<br />
In such tales there is invariably a scene in which the knight is depicted being armed<br />
for battle; each piece of armour is lovingly described as it is strapped on, culminating<br />
with the girding on of a sword, the donning of the helmet <strong>and</strong> the mounting of<br />
his horse. <strong>The</strong>re is a sense of ritual about such scenes, as if in putting the armour on<br />
the hero was becoming the essence of the knightly order of which he was a part. Later<br />
in his tale, when Erec realized that his household believed he had lost his knightly<br />
prowess because he preferred the company of Enide over the pleasures of tournament<br />
or battle, his first act before riding out to a series of ever-larger encounters with<br />
robber-knights was to put on his armour. Similarly in the 15th-century tale of<br />
Sir Gawain <strong>and</strong> the Green <strong>Knight</strong> there is a detailed passage full of symbolism describing<br />
Gawain's arming before he travelled off to find the Green <strong>Knight</strong>'s castle.<br />
But on a more practical level the armour, weapons <strong>and</strong> mounts the knight required<br />
cost a substantial amount. Prices <strong>and</strong> values differed considerably but one can think<br />
of the full equipment of the knight, including his weapons, armour, horse <strong>and</strong> harness,<br />
as being around a year's income; around £20 for an English knight in 1250 (roughly<br />
equivalent to £200,000 or $300,000 in modern terms). Whilst this might not have been<br />
beyond the means of the knightly classes, particularly when we take into account the<br />
passing down of arms from father to son, the acquisition of equipment as gifts from<br />
lords or as booty in battle or in tournament or the market for hiring armour or buying<br />
it second-h<strong>and</strong>, it is clear that serving as a knight or man-at-arms was beyond the<br />
reach of the majority of the lower orders <strong>and</strong> those of middling rank. Some did rise<br />
beyond their humble origins, particularly in the 14th century when, as we shall see<br />
later, the distinction between the social class of knights <strong>and</strong> that of the gentry became<br />
blurred, but they were sometimes looked down upon by those born to knightly rank.<br />
Similarly, it is possible to see disdain for those who were of knightly status but who<br />
appeared improperly armed. Jean le Bel tells us that the English knights of the 1320s<br />
were held in scant regard by their French cousins because they still wore outdated<br />
mail armour <strong>and</strong> great helms.