Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
BEYOND THE BATTLEFIELD: THE KNIGHT IN MEDIEVAL SOCIETY -•<br />
of the factionalism present <strong>and</strong> the power of the individual lords. In May 1390<br />
Richard II published an ordinance in an attempt to limit what it called 'liveries ol<br />
company' since the badges were being distributed too freely, so that hirelings as well<br />
as indentured retainers <strong>and</strong> household servants were wearing them <strong>and</strong> they were<br />
being used to create what amounted to private armies ol ruffians <strong>and</strong> thugs to<br />
intimidate the lord's weaker neighbours <strong>and</strong> opponents. As the Parliament of 1388<br />
put it in its call for the abolition of the badge altogether, 'those who wear them are<br />
flown with such insolent arrogance that they do not shrink from practising with<br />
reckless effrontery various kinds of extortion in the surrounding countryside ... <strong>and</strong> it<br />
is certainly the boldness inspired by these badges that makes them unafraid to do these<br />
things'. Richard's ordinance stated that only those of the rank of banneret or above<br />
might issue them <strong>and</strong> only those above the rank of esquire might wear them. An<br />
ordinance of Henry VII, alter the protracted conflict of the Wars of the Roses, in<br />
which almost every knight <strong>and</strong> nobleman had his livery colours <strong>and</strong> badge <strong>and</strong> which<br />
were characterized by armed conflict between the liveried retinues of the great lords,<br />
endeavoured to restrict the issuing of livery badges to the king, <strong>and</strong> the wearing of<br />
liveries to the immediate household servants of the nobility.<br />
<strong>The</strong> Wilton diptych<br />
is a marvel of medieval<br />
propag<strong>and</strong>a. A travelling<br />
altarpiece made for<br />
Richard II, it deftly shows<br />
him submissive to Christ<br />
<strong>and</strong> the Virgin Mary <strong>and</strong>,<br />
at the same time, suggests<br />
something divine in his<br />
nature through the angels'<br />
wearing of his <strong>and</strong> the<br />
Plantagenet badges.<br />
(Bridgeman Art Library)<br />
201