Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
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<strong>The</strong> same links between knightly status <strong>and</strong> arms <strong>and</strong> armour were made in<br />
bureaucratic circles. Documents such as Henry lis 'Assize of Le Mans' <strong>and</strong> Assize of<br />
Arms', drawn up in 1180 <strong>and</strong> 1181 respectively, <strong>and</strong> similar legislation drawn up<br />
elsewhere in Europe, laid out the equipment expected of warriors turning out at<br />
the king's behest. <strong>The</strong> amount <strong>and</strong> quality of armour was based upon their annual<br />
income, in order to ensure that there were sufficient equipped men to serve the monarch 's<br />
needs. For example, in the 1181 Assize a freedman with property <strong>and</strong> rents valued at<br />
£16 (£166,000 / $265,000) was expected to have the archetypal knightly equipment<br />
ot helmet, hauberk, lance <strong>and</strong> shield, whilst one with rents <strong>and</strong> chattels valued at £10<br />
(£100,000 / $160,000) was only expected to turn out with a cheaper habergeoun (a shirt<br />
of mail shorter in length <strong>and</strong> sleeves than a hauberk), an iron cap <strong>and</strong> lance. After<br />
recruitment switched from dem<strong>and</strong>ing service as a duty to indenting for it at a price<br />
(a process which was complete in Engl<strong>and</strong> by the mid-Mth century), the documents still<br />
insist that the hired soldier appear properly mounted <strong>and</strong> equipped, 'covenablement<br />
mountez et apparaillez', <strong>and</strong> captains would insist that their retinue arrive at muster<br />
properly equipped to avoid reproach. <strong>The</strong>re are occasrons where men were re-classified<br />
by royal officials at muster because their equipment did not meet the st<strong>and</strong>ard expected<br />
of a man-at-arms, with a reduction in wages <strong>and</strong> presumably a loss of face too.<br />
A further indication of the link between status <strong>and</strong> equipment comes from the<br />
disciplinary codes, or Ordinances, that were drawn up belore the onset of a campaign.<br />
Concerned with the maintenance of order <strong>and</strong> good discipline during the course of<br />
the campaign, they cover such matters as the order of march, the selection <strong>and</strong> layout<br />
of encampments <strong>and</strong> billeting of troops, theft within the army <strong>and</strong> looting, ransoms<br />
<strong>and</strong> the spoils of war. For the man-at-arms one of the most common punishments<br />
was the forfeiture of his horse <strong>and</strong> harness to the Crown. Such a punishment not<br />
only imposed a financial hardship, the equipment <strong>and</strong> mount representing a<br />
considerable investment, but it also took away the outward symbols of the man-at-<br />
arms' status, reducing him to the ranks of the footsoldier.<br />
Of course some of the developments in arms <strong>and</strong> armour were purely cosmetic.<br />
Certain shapes or forms, more or less practical, became popular <strong>and</strong> their use spread<br />
across Europe. <strong>The</strong> German Kiutenbrust of the first half of the 15th century, with its<br />
box-like breastplate <strong>and</strong> the forward-sloping nasal helm mentioned above, appear to<br />
have been wholly driven by fashion, whilst the fluting of the gothic harness was a<br />
combination of practical metallurgy, the effect serving to make the plates stronger<br />
without increasing weight, as well as making the armour pleasing to the eye <strong>and</strong><br />
following architectural styles popular at the time.<br />
<strong>The</strong> decoration of armour with gilding <strong>and</strong> parnting was another means by which<br />
armour transcended the purely practical, although the habit of painting or even<br />
ARMS AND ARMOUR •*}*•<br />
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