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Osprey - General Military - Knight - The Warrior and ... - Brego-weard

Osprey - General Military - Knight - The Warrior and ... - Brego-weard

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Heraldry, then, served as an index of a knight's personal prowess <strong>and</strong> status <strong>and</strong><br />

that of his family <strong>and</strong> those with whom he had a social affinity. It is no wonder that<br />

these symbols were so jealously guarded, <strong>and</strong> there were bitter disputes between<br />

knights who found themselves bearing the same coat of arms. <strong>The</strong> most famous of<br />

such disputes was that between the Scrope <strong>and</strong> Grosvenor families, both of whom<br />

bore the arms azure, a bend or- blue with a diagonal stripe of gold. In 1386 the dispute<br />

was brought before the Court of Chivalry, which was set up to deal with these sorts<br />

of matters. Interestingly, the outcome rested on not only who had borne the arms first,<br />

<strong>and</strong> a extensive series of witnesses were called for their recollections ol this, but also<br />

on what occasion, <strong>and</strong> it is clear from the transcripts that certain forms of military<br />

endeavour rated more highly than others: a pitched battle over a skirmish <strong>and</strong> crusades<br />

over secular campaigns. In the end the Court found in favour ol Scrope, <strong>and</strong> the<br />

Grosvenor family were instructed to change their arms, henceforward bearing argent,<br />

a garb or, the diagonal stripe being replaced by a wheat-sheaf.<br />

Amongst the anecdotes that come down to us from the proceedings of this case one<br />

of the witnesses, John Charnels, told how Sir William Scrope had to be restrained from<br />

killing a captured French knight because he bore the same arms. It is clear that whilst<br />

chivalric writers such as Raymon Lull <strong>and</strong> jurists such as the 14th-century Italian Bartolus<br />

might argue that there was no bar to men bearing the same coat of arms provided that it<br />

did no damage to either s interests, <strong>and</strong> if they served under different lords so that there<br />

was no danger of confusion, the knights themselves had a much more stringent view of<br />

the rights <strong>and</strong> wrongs of the matter. Froissart records how during the truce before the<br />

battle of Poitiers, as the churchmen tried to bring the French <strong>and</strong> Anglo-Gascon armies<br />

to terms, the English banneret Sir John Ch<strong>and</strong>os <strong>and</strong> the French marshal Jean de<br />

Clermont rode out to view their opponent s lines <strong>and</strong> realized that they were both wearing<br />

the same devise", an image of the Virgin Mary surrounded by sunrays. <strong>The</strong> two men clashed<br />

at this socially awkward moment, Clermont stating that the English 'can invent nothing<br />

new, but must take for your own whatever you see h<strong>and</strong>some belonging to others' <strong>and</strong><br />

adding that were there no truce then he would prove by deed of arms that he had the<br />

greater right to the use of the image. Froissart completes the anecdote by recording<br />

the fact that Clermont was killed in the battle the following day <strong>and</strong> that 'some say this<br />

treatment was owing to his altercation on the preceding day with Sir John Ch<strong>and</strong>os'.<br />

<strong>The</strong> anecdote of a socially awkward chivalric moment is interesting because the image<br />

they fought over was not either men's arms - Ch<strong>and</strong>os bore a white shield with a red<br />

vertical stripe, whilst Clermont's arms were a red shield covered in gold trefoils with two<br />

fish depicted vertically in gold, all surmounted by a blue label — suggesting that knights<br />

<strong>and</strong> lord might also be proprietorial about their devises, the informal system ol badges<br />

that was used alongside the hereditary <strong>and</strong> systematic heraldic arms.

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