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Osprey - General Military - Knight - The Warrior and ... - Brego-weard

Osprey - General Military - Knight - The Warrior and ... - Brego-weard

Osprey - General Military - Knight - The Warrior and ... - Brego-weard

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odies sometimes being preserved for the journey. Occasionally the heart <strong>and</strong> other<br />

organs would be removed first. This helped with preservation; when Bertr<strong>and</strong> du<br />

Guesclin died in the summer of 1380 his body was embalmed, then, when it was<br />

perceived (or perhaps smelt) that the embalming had not been adequate, flensed, the<br />

flesh boiled from the bones. At each point on the journey his entrails <strong>and</strong> then his flesh<br />

were interred in a local church. His bones were carried to join the royal tombs at<br />

St Denis <strong>and</strong> his heart to Brittany, his home. Certainly for the royalty <strong>and</strong> the highest<br />

nobility there was a fashion for burial in more than one church. Richard the<br />

Lionheart's brain was buried in Poitou, his heart in Rouen <strong>and</strong> the body near to his<br />

father in Anjou. In part this reflected the favourite places of the deceased <strong>and</strong> those<br />

that were very much a part of his life when alive, but it also ensured that a larger<br />

number of Masses were said for his soul, reducing his time in Purgatory, <strong>and</strong> was a<br />

means of spreading the donations that went with the burials amongst a greater number<br />

of churches.<br />

<strong>The</strong> burial of a knight was his last opportunity for him to display his status, worth<br />

<strong>and</strong> prowess, <strong>and</strong> they were often dramatic affairs, loaded with symbolism. <strong>The</strong> wills<br />

of knights could contain highly detailed instructions for their funerals. <strong>The</strong> Black<br />

Prince instructed that:<br />

... at that hour our body shall be brought into the town of Canterbury as far as the<br />

priory, that two coursers covered with our arms <strong>and</strong> in our helmets shall go<br />

before our said body; that is to say, the one for war with our arms quartered, <strong>and</strong> the<br />

other for peace with our badges of ostrich feathers, with four banners of the same; <strong>and</strong><br />

every one of these who bear said banners shall have a chapeau of our arms; <strong>and</strong> that he<br />

who shall be armed for war, shall have a man armed bearing after him a black pennon<br />

with ostrich feathers.<br />

Lesser knights might not be able to afford anything quite so gr<strong>and</strong>, but they could still<br />

aspire to similar displays. <strong>The</strong> knight Sir Brian Stapleton instructed that there be<br />

'a man armed with my arms, with my helm on his head, <strong>and</strong> that he be well mounted<br />

<strong>and</strong> a man of good looks of whatever condition he is...' <strong>The</strong> idea that the knight should<br />

take his final journey arrayed as a warrior with all of the trappings of his calling <strong>and</strong><br />

displaying the heraldic achievement that identified him <strong>and</strong> his km was very powerful.<br />

<strong>The</strong> knight's tomb reflected this martial status even after the knight was long<br />

buried. In effigy or brass the knight could have himself depicted as a knight in armour<br />

<strong>and</strong> above his head might be suspended his helmet <strong>and</strong> his shield, as with the Black<br />

Prince. Whilst the effigies have survived in large numbers, although often without the<br />

paintwork necessary to identify them, <strong>and</strong> deeply incised with the graffiti of centuries,

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