Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
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CONTRARY TO THE POPULAR IMAGE KNIGHTS DID NOT CRUDELY<br />
hack away at each other until one was beaten into<br />
submission. Success in combat required skill, intelligence <strong>and</strong><br />
talent as well as brute strength. <strong>The</strong> weapons they used had evolved<br />
into precision tools <strong>and</strong> h<strong>and</strong>ling them successfully required training<br />
<strong>and</strong> practice to perfect. Riding too was a skill that had to be mastered,<br />
the more so as the knight would be in armour <strong>and</strong> fighting for his life<br />
at the same time.<br />
INDIVIDUAL SKILLS<br />
Horsemanship was probably the first skill that a medieval knight learnt. <strong>The</strong>re is little<br />
doubt that a child was learning to ride long before he could hold a sword or bear the<br />
weight of a hauberk. It was one of the fundamental accomplishments of all the noble<br />
elite. Jordanus Rufus, a southern Italian who wrote a treatise on the care ol horses in<br />
the 13th century, says that 'it is by horses that princes, magnates <strong>and</strong> knights are<br />
separated from lesser people <strong>and</strong> ... a lord cannot fittingly be seen amongst private<br />
citizens except through the mediation of a horse'. Simply put, quality rode where lesser<br />
folk walked.<br />
For the knight more was required than being able to ride through a crowd of<br />
peasants. He had to be able to mount, dismount <strong>and</strong> ride whilst armoured <strong>and</strong> carrying<br />
his shield <strong>and</strong> lance. He needed to be adept at manoeuvring his horse through tight<br />
turns <strong>and</strong> wheels at high speed, maintaining that control in the midst of battle. Whilst<br />
his mount might be somewhat inured to the noise <strong>and</strong> chaos of battle (16th-century<br />
manuals, surely based on earlier practice, advocated that the warhorse in training was<br />
to be ridden past servants waving banners, shouting <strong>and</strong> beating drums to prepare it<br />
for battle) there was still a danger of it panicking. As we have noted, it was the stallion<br />
that was chosen for the role of the 'great horse' or dejtrier because its strength <strong>and</strong><br />
fiery temperament could be used on the field. Control of such powerful beasts was<br />
considered a martial virtue. It is a motif of heroic literature that the hero should<br />
have a horse that only he could tame, the quintessential example being Alex<strong>and</strong>er the<br />
Great's horse Bucephalus (literally bull headed'). Almost certainly using that legend<br />
as a basis, the biographer of William Marshal tells us how at the onset of one of his first<br />
major tournaments William, impoverished <strong>and</strong> lacking a mount, was forgotten when<br />
horses from the stable of his lord William de Tancarville were given to members of the<br />
household. When Marshal complained he was given the last remaining horse,<br />
a strong, fine <strong>and</strong> well-proportioned horse, very lively, swift <strong>and</strong> powerful... A horse