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Osprey - General Military - Knight - The Warrior and ... - Brego-weard

Osprey - General Military - Knight - The Warrior and ... - Brego-weard

Osprey - General Military - Knight - The Warrior and ... - Brego-weard

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THE MODERN USE OF THE WORD CHIVALRY IS A PALE REFLECTION<br />

of what the term once meant. Today it is used to give a sense<br />

of fair play, politeness towards women, a genteel old-<br />

fashioned quality. In the middle ages <strong>and</strong> in its broadest use it meant<br />

the body of knights themselves, <strong>and</strong> anything concerning them <strong>and</strong><br />

their role in society. More precisely, it was a complex <strong>and</strong> seemingly<br />

contradictory code of behaviour to which the knight adhered, <strong>and</strong> the<br />

criteria by which they measured themselves. Although principally<br />

militaristic, chivalry presented ideals of behaviour both on <strong>and</strong> off the<br />

battlefield, <strong>and</strong> became an ideology that was to encompass all aspects<br />

of its adherents lives.<br />

As with all ideologies, getting a firm underst<strong>and</strong>ing of chivalry as an outsider at nearly<br />

a millennium's remove can be difficult. This is particularly true of its early years.<br />

Chivalry was not codified until the 14th century, <strong>and</strong> even then books on chivalry,<br />

such as those of Geoffrey de Charny, Honore Bonet or Christine de Pisan, are not<br />

expositions of the concept but seek to answer specific questions of practice <strong>and</strong><br />

behaviour. <strong>The</strong> chronicles <strong>and</strong> narrative histories can prove instructive in that the<br />

actions they praise <strong>and</strong> the behaviour they criticize can be equated to chivalric (or non-<br />

chivalric) behaviour. However, the ecclesiastical background of the majority of<br />

chroniclers means that their idea of what is praiseworthy need not coincide with what<br />

the knight considered so. <strong>The</strong> fictional sources are generally considered to offer the<br />

greatest insight into the chivalric thought-world. <strong>The</strong> epic <strong>and</strong> romance literature, as we<br />

shall see, both led <strong>and</strong> reflected the chivalric culture of which they were a part. Still,<br />

they also offer a distorted vision, warped by fantastical exaggerations <strong>and</strong> the drive to<br />

tell a captivating story. However, chivalry is so pervasive, so much a part of the world<br />

of the knight, that we have a huge amount of material from which to build our picture.<br />

THE ORIGINS AND INFLUENCES<br />

OF CHIVALRY<br />

<strong>The</strong>re were three distinct influences on the development of chivalry, each bringing in<br />

a different set of values. <strong>The</strong> first str<strong>and</strong> was what might be called the warrior ethic.

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