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Osprey - General Military - Knight - The Warrior and ... - Brego-weard

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164<br />

KNIGHT<br />

<strong>The</strong> influence of these tales is further demonstrated by the Arthurian themes that<br />

were adopted for the high <strong>and</strong> late medieval pageants <strong>and</strong> tournaments, not to<br />

mention their role within the establishment of the Order of the Garter <strong>and</strong> other<br />

secular knightly orders.<br />

Chroniclers' tales of chivalric behaviour undoubtedly worked in a similar way, but<br />

perhaps with a more overtly didactic purpose. Orderic's tale of the mednie Hellequin,<br />

for example, might be presented as reportage, recording a miraculous event from his<br />

local area, but the fact that it was a knight who stopped to warn Walchelin to change<br />

his ways <strong>and</strong> provided the details of the knights' torments, is no coincidence: Orderic<br />

had his audience in mind here. <strong>The</strong> secular chronicler such as Froissart, whose<br />

purpose in writing his chronicles was 'that the honourable enterprises, noble<br />

adventures, <strong>and</strong> deeds of arms, performed in the wars between Engl<strong>and</strong> <strong>and</strong> France,<br />

may be properly related, <strong>and</strong> held in perpetual remembrance — to the end that brave<br />

men taking example from them may be encouraged in their well-doing', offered up<br />

tales of individuals whose behaviour could be aspired to. <strong>The</strong>se messages were largely<br />

subliminal; the knightly audience would pick up on the positive <strong>and</strong> negative images<br />

of chivalrous <strong>and</strong> unchivalrous acts in the course of the narrative without the<br />

chronicler having to drive the point home.<br />

Not at all subtle were the ecclesiastical writers who chose the vices of secular<br />

knighthood as a subject for missives <strong>and</strong> homilies. Warnings <strong>and</strong> invective against<br />

vainglory, pride <strong>and</strong> attacks on the defenceless <strong>and</strong> the property of the Church, <strong>and</strong><br />

exhortations to pursue a merciful <strong>and</strong> Christian chivalry were very common topics<br />

directed at a knightly audience. Bernard of Clairvaux's exaltation of the <strong>Knight</strong>s<br />

Templar, In Praide of a New <strong>Knight</strong>hood, is the epitome of this kind of material; <strong>and</strong> is<br />

addressed directly at the secular knight, in part to encourage him to join the ascetic <strong>and</strong><br />

holy Templars but also in order to chastise him for his sins.<br />

As chivalry became more complex in the 14th century, <strong>and</strong> responding to a more<br />

legalistic approach to matters of honour, the chivalric elite itself began to offer their<br />

advice on chivalric matters. <strong>The</strong> Book of Chivalry of Geoffrey de Charny is very much<br />

the advice of an experienced <strong>and</strong> chivalrous warrior to the aspirant or newly knighted<br />

bachelor. Around the same time he also prepared a series of questions that raised some<br />

of the more complex issues of chivalric behaviour on both the tournament field <strong>and</strong><br />

at war. For example, it asks whether, if a knight at tournament is knocked from his<br />

horse because his saddle-girth fails, his opponent should win his horse. <strong>The</strong>se appear<br />

to have been prepared for his fellow members of the Order of the Star, founded by<br />

Jean II of France in imitation of Edward Ill's Order of the Garter. One can imagine<br />

these questions being asked around the table after one ot the Order's annual feasts,<br />

Charny setting the questions <strong>and</strong> awaiting the answers of the assembled knights.

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