Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
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causes for challenging an opponent to a duel — murder, treason, heresy, urging disloyally<br />
to one's lord, betrayal, falsehood, <strong>and</strong> the use ol a maiden or lady - before going to lay<br />
out the procedure for bringing the complaint <strong>and</strong> setting up the fight itself. One of the<br />
first plates depicts two combatants in full armour sitting within a fenced arena with their<br />
banners <strong>and</strong> their attendants, separated by screens. <strong>The</strong>y would look very much like<br />
boxers except for the armour <strong>and</strong> the coffin each has brought.<br />
Talhoffer's teaching was not strictly tor nobles. His school, set up in Zurich around<br />
1450, almost certainly had burghers <strong>and</strong> other non-knightly (but by no means low<br />
class) adherents as well as nobles, men equally protective of their honour <strong>and</strong> status<br />
<strong>and</strong> willing to fight for it. His Fecbtbuch also includes other forms of duel, fought with<br />
a variety of weapons, armoured <strong>and</strong> unarmoured, mounted <strong>and</strong> dismounted. Perhaps<br />
the most bizarre is a series of plates dealing with the fight between a man <strong>and</strong> a woman,<br />
the former st<strong>and</strong>ing waist-deep in a pit whilst the woman st<strong>and</strong>s above him armed<br />
with a rock in a sock, or rather wrapped in a veil! <strong>The</strong> man aims to tip the woman into<br />
the pit whilst the woman tries to drag him out. As with all of these judicial combats<br />
the victor was reckoned to be in the right, their victory having been granted by God<br />
in recognition of the justice of their cause.<br />
Not all of the texts left to us are as specific about their aims as Talhoffer's, but it is<br />
still the case that these masters appear to have been employed to provide quite specific<br />
combat training for the one-to-one duel. <strong>The</strong>re is no indication that they taught<br />
broader concepts necessary for the battlefield, <strong>and</strong> the focus of most of the texts is on<br />
dismounted combat with the longsword.<br />
TACTICS AND TRAINING -}=>•<br />
A knight trains at the pell.<br />
He uses a stave rather than<br />
a sword, but is wearing full<br />
armour, perhaps in order<br />
to condition himself to its<br />
weight. (<strong>The</strong> Art Archive)<br />
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