Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
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normal sharp points. Some tournaments <strong>and</strong> most behourdd might be fought with<br />
wooden clubs or weapons made of cuir bouilli or whalebone. In the German<br />
tournament known as the Hohenzeugcjestech, knights scored points for splintering<br />
lances, so special ones were designed to shatter on impact, much as those in modern<br />
tournament shows. Otherwise the weapons were much the same as those used for<br />
open battle; foot combats might take place using pollaxes, spears or swords. Paj<br />
d'armed, organized challenges often fought a L'outrance during lulls in military<br />
campaigns, were frequently arranged to comprise a series of engagements with<br />
different weapons, with a set number of blows being struck with each.<br />
THE SELECTION OF WEAPONS<br />
AND ARMOUR<br />
From this whistle-stop tour there appears to be a clear development in both arms <strong>and</strong><br />
armour, resulting from improvements in iron <strong>and</strong> steel that allowed the development<br />
both of ever more complex plates <strong>and</strong> of weapons designed specifically to beat them.<br />
It would be wrong, however, to think that there was a single linear trend in the<br />
development of arms <strong>and</strong> armour across the whole of Western Europe. <strong>The</strong>re were<br />
both regional <strong>and</strong> personal variations, with a variety of factors involved in making<br />
the choice.<br />
Regional styles played a not-insignificant role, particularly in the 15th century.<br />
Although the arms industry was trans-national, with major centres of production<br />
such as Chartres (for mail armour), Passau (for sword blades), Milan <strong>and</strong> Augsburg<br />
exporting to clients across Europe, it is clear from the source material that at various<br />
times certain areas had styles that were particular to them. Frustratingly, however,<br />
all too often our sources provide no detail as to what that distinction might be.<br />
Climate may have had some impact upon these regional developments, since the<br />
armour worn in the Spanish <strong>and</strong> Mediterranean states tended to be lighter than that<br />
worn elsewhere in Europe. However there is surprisingly little evidence to suggest<br />
that the crusading knights made concessions for the heat of the Middle East. It has<br />
been suggested that the adoption of surcoats at the beginning of the 12th centuiy may<br />
have been the crusaders' attempt at covering armour from the sun, but it is also possible<br />
that it was an extra medium of display adopted for the tournament, which was<br />
becoming hugely popular at this time. One example we do have comes from the<br />
eyewitness account of Louis IX's crusade to Egypt in 1250, by the knight Jean de<br />
Joinville who served on the campaign. During a lull in the fighting at Mansourah