Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
Osprey - General Military - Knight - The Warrior and ... - Brego-weard
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8<br />
THERE CAN BE NO WARRIOR QUITE SO ICONIC AND IMMEDIATELY<br />
recognizable as the medieval knight. More than any other he<br />
remains a part ol contemporary culture. Not only does he ride<br />
his charger, resplendent in his shining armour <strong>and</strong> colourful heraldry,<br />
through novels <strong>and</strong> movies, but his armour still decorates museums,<br />
castles <strong>and</strong> stately homes, <strong>and</strong> his image in brass or stone adorns our<br />
churches. Every summer crowds gather to watch the sight of costumed<br />
interpreters bringing him back to life in jousting matches <strong>and</strong><br />
re-enactments.<br />
But this image of the knight - the mounted warrior armoured head to toe, bedecked<br />
with brightly painted heraldry <strong>and</strong> mounted on a great charger — is only a snapshot of<br />
what the real knight was. <strong>The</strong> full picture is much more complex. His outward<br />
appearance changed over the 500 years of his dominance, as armourers responded<br />
to the developments in weapons technology <strong>and</strong> took advantage of the changes<br />
in metallurgy <strong>and</strong> smithing techniques. <strong>The</strong> figure he cut in the 11th century — clad in<br />
unadorned mail with a nasal helm on his head - was vastly different from that of the<br />
14th, where the mixture of plate <strong>and</strong> mail was hidden beneath a flowing surcoat <strong>and</strong><br />
his face was covered by a full helm or the beaked visor of the more lightweight luwcinet;<br />
which was as different again from the way he looked as his time on the battlefield<br />
came to an end in the 16th century — massively armoured in full plate under a sleeved<br />
tabard, with his visored helmet topped with plumes of ostrich feathers.<br />
Nor did knights charge hell-for-leather into combat. Whilst the evidence for the<br />
tactics used on the battlefield can be frustratingly vague it is clear that, when executed<br />
correctly, charges were carefully timed <strong>and</strong> structured using small-unit tactics to<br />
maximize their impact <strong>and</strong> allow for reforming <strong>and</strong> the use of reserves. <strong>The</strong> importance<br />
of being ordinate — in good order — <strong>and</strong> the dangers of being inordinate are regular<br />
themes in battle narratives. <strong>Knight</strong>ly comm<strong>and</strong>ers could be rash <strong>and</strong> arrogant, it is<br />
true, but they could equally be cunning <strong>and</strong> careful.<br />
<strong>The</strong> knight's skill was not limited to mounted combat <strong>and</strong> the knight was as<br />
effective a warrior on foot as he was on horseback. <strong>The</strong> Anglo-Norman knights of the<br />
12th century <strong>and</strong> the English men-at-arms of the 14th <strong>and</strong> 15th fought their pitched<br />
battles on foot more often than they did on horseback, <strong>and</strong> other nations' warriors<br />
might do the same. Contrary to the traditional view, a knight knocked out of the saddle<br />
did not necessarily become as helpless as a turtle on its back, although in certain