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Osprey - General Military - Knight - The Warrior and ... - Brego-weard

Osprey - General Military - Knight - The Warrior and ... - Brego-weard

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Indeed similar conversations were probably common to such meetings; their Chapters<br />

were, after all, formal meetings to discuss such matters as arose between members of<br />

the Order. <strong>The</strong>re must have been informal discussions <strong>and</strong> debates as well, <strong>and</strong> one<br />

can easily imagine such conversations taking place over the dining table after a day<br />

on the tournament field. More than any of the written works on chivalry these<br />

informal discussions would have been the key vehicle for the transmission of the<br />

constantly evolving chivalric ethos.<br />

CHIVALRY ON DISPLAY - HERALDRY,<br />

BANNERS AND BADGES<br />

One of the key aspects ot the chivalric ethos was that the warrior enhanced his status<br />

<strong>and</strong> position by performing acts of martial prowess. It was not sufficient that such<br />

deeds be done, it was also necessary that they be witnessed <strong>and</strong> recognized. It can be<br />

no coincidence that at the same period as the chivalric ethos was coalescing <strong>and</strong><br />

knights began to think of themselves as a distinctive caste within society that heraldic<br />

display also developed. <strong>The</strong>se personal emblems, supposedly unique to the individual<br />

warrior, ensured that their deeds could be witnessed across the battlefield by friend<br />

<strong>and</strong> foe alike. This was certainly how they were perceived as originating. In the late<br />

14th -century text on heraldry, the Tract at ad de Armid by Johannes de Bado Aureo,<br />

this initial use of heraldry was traced to antiquity where, at the siege of Troy, Johannes<br />

writes, '<strong>The</strong> Trojans of royal blood adopted distinctive colours so that they might be<br />

recognized from the walls, <strong>and</strong> their deeds <strong>and</strong> prowess in combat noticed'. <strong>The</strong> clear<br />

display of his arms ensured that the warrior's participation in battle was noted <strong>and</strong><br />

any deeds of great note would be witnessed <strong>and</strong> remembered by his fellow knights or<br />

by the heralds who are often described as st<strong>and</strong>ing on the sidelines of the battle<br />

recording such matters. It is from such remembrances that men like Froissart were<br />

able to draw up their chronicles.<br />

<strong>The</strong> ability to identify the enemy force served an important tactical function,<br />

allowing a comm<strong>and</strong>er to better judge where the greatest strength of his opponents<br />

might be found. It also fulfilled an important social one. Recognition of the identity,<br />

status <strong>and</strong> prowess of the opposition enabled the knight perhaps to choose his<br />

opponents with an eye to winning renown himself or avoiding a combat in which he<br />

would be outclassed. A knight of great notoriety made himself a target for those who<br />

would increase their own renown by defeating him, but he might also deter attack.<br />

At the battle of Bouvines Eudo of Burgundy used this to his advantage, putting on a<br />

CHIVALRY: THE KNIGHTLY CODE -

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