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The Caldwell Objects

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Northern Hemisphere, and people celebrated this<br />

special event with religious ceremonies and<br />

festivals. Although we no longer hold ceremonies<br />

to honor the union of Bull and Sun, one lasting<br />

symbol of the horned creature and its importance<br />

in human affairs can be seen on modern star<br />

charts: the Greek letter Alpha (α), which<br />

descended from the first letter in both the<br />

Hebrew and Phoenician alphabets, resembles a<br />

bull's head and horns.<br />

Humans began associating the terrestrial Bull<br />

with the celestial Bull as early as the late<br />

Neolithic age. While touring Turkey after the<br />

August 1999 total solar eclipse, I saw some<br />

Neolithic cave paintings on display at the<br />

Museum of Anatolian Civilizations in Ankara.<br />

One shows a large red bull surrounded by several<br />

tiny black and red "stick figures" armed with<br />

bows and spears. I found myself mesmerized by<br />

the simple portrayal. Primitive hunters depended<br />

on the life cycles and migrations of large animals,<br />

and it's conceivable that this painting could have<br />

been used to invoke a spirit whose magical<br />

powers would help the artists with their hunt (at<br />

least that is what my guide inferred at the<br />

museum). Might this Bull have been Taurus? My<br />

guide did not know.<br />

Anthropologists long have argued that the<br />

animals shown in cave paintings were created for<br />

religious rites and not to make artistic<br />

impressions. But the Turkish cave painting<br />

seemed to depict an actual (if fantastic) battle<br />

with a large beast of prey. It seemed no different<br />

than another one (dated circa 6,000 B.C.) that<br />

depicted an eruption of Hasan Dag, a volcano in<br />

central Turkey <strong>The</strong> latter piece of artwork is now<br />

regarded as the earliest evidence of human<br />

interest in volcanic phenomena. Clearly art is<br />

subject to interpretation; that hasn't changed<br />

with the ages. In any case, while looking at the<br />

Neolithic battle scene I realized that our<br />

ancestors painted similar<br />

41<br />

battle scenes in the night sky, and we benefit<br />

from their vivid imaginations today. Each winter<br />

night we can look up at the dark "cave" of the sky<br />

and admire the stick figure of Orion, the Hunter,<br />

poised to do battle with Taurus, the Bull.<br />

Wielding his club and thrusting his shield<br />

forward, the mighty Hunter successfully drives<br />

the Bull back, night after night, until he herds the<br />

horned animal into the pen of the western<br />

horizon.<br />

In Greek mythology, seven Hyads were the<br />

daughters of Atlas (the Titan condemned to<br />

support the Earth and sky on his shoulders for<br />

eternity) and Aethra. <strong>The</strong> Hyades' paternity<br />

makes them the half-sisters of the Pleiades, who<br />

were born to Atlas and Pleione; together the<br />

Hyades and Pleiades constitute the 14 daughters<br />

of Atlantis, or the Atlantides. Some works try to<br />

lessen Atlas's familial burden by dubbing the<br />

Hyades the Dodinides, or nurses of Bacchus. <strong>The</strong><br />

sisters do have names, but mysteries remain. <strong>The</strong><br />

Greek poet Hesiod (8th century B.C.) spoke of<br />

five: Eudora, Kleea, Koronis, Phaeo, and<br />

Phaesula. Seven are elsewhere attributed to<br />

Pherecydes, and their presumably corrupted<br />

names, according to Richard Hinckley Allen, are<br />

Aesula, Ambrosia, Dione, Eudora, Koronis,<br />

Polyxo, and Thyene (also known as Thyone).<br />

Other variations are invoked elsewhere. Alas,<br />

unlike the case with<br />

<strong>The</strong> <strong>Caldwell</strong> <strong>Objects</strong> 163

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