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MY BELOVED IS MINE AND I AM HIS: SELF-KNOWLEDGE IN THE ...

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new way, not now as a self-defaced image of God, but as an image being progressively<br />

likened to Christ. The soul now knows itself to be assuming gradually the contours of<br />

Christ’s own Bride, radiant with her Bridegroom’s own beauty. Though this soul-as-<br />

Bride knows that her beauty remains imperfect in this life, her new self-knowledge<br />

inspires her audacious confidence that when her beauty is made perfect in glory, she will<br />

at last forget herself entirely and pass over into her Bridegroom for all eternity.<br />

Since Bernard wrote no work specifically devoted to the soul’s progress through<br />

these diverse stages of self-awareness, from the self-deception intrinsic to pride to the<br />

soul’s newfound self-awareness as Christ’s Bride, we will have draw on several of his<br />

most significant works to compose a comprehensive account of his teaching on this<br />

subject. This will be our task in the chapters which follow. In the present chapter,<br />

however, our aim will be to provide a kind of “overture” to Bernard’s comprehensive<br />

teaching on self-knowledge, in which we will identify the major themes he elsewhere<br />

develops in considerably greater detail. To compose this overture, we will in this chapter<br />

undertake a close study of Bernard’s celebrated meditations on self-knowledge and self-<br />

ignorance in sermons thirty-four to thirty-eight of his Sermones super Cantica<br />

canticorum. 77<br />

In this sermon set, composed sometime between 1139 and 1143, the abbot<br />

comments on the Bridegroom’s words to his Bride in Song of Songs 1:7: “If you do not<br />

know yourself, most beautiful among women, go forth, and follow after the flocks of<br />

your companions, and feed your kids beside the shepherd’s tents.” In the tradition of<br />

77 On the composition and dating of Bernard’s Sermones super Cantica canticorum, see Jean<br />

Leclercq, “The Making of a Masterpiece,” trans. Kathleen Waters, in Bernard of Clairvaux: On the Song of<br />

Songs IV, trans. Irene Edmonds, Cistercian Fathers 40 (Kalamazoo: Cistercian Publications, 1980), ix-xxiv.<br />

45

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