An Introduction to French Pronunciation
An Introduction to French Pronunciation
An Introduction to French Pronunciation
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146 In<strong>to</strong>nation<br />
exist for transcribing phonemes and allophones of languages<br />
with an adequate degree of precision, there are no equally<br />
widely recognized conventions for representing in<strong>to</strong>national<br />
patterns. At least four fundamentally different systems, some<br />
of them with markedly differing subvarieties, are in existence<br />
and have been used in recent descriptions of <strong>French</strong>.<br />
20.1.3 The system used in this book is a variation on what<br />
is probably both the simplest (in the sense of easiest <strong>to</strong> grasp)<br />
and the most widely used system. It consists of lines printed<br />
above each rhythmic group which indicate schematically<br />
whether the group in question is pronounced with a rising, a<br />
falling, a rising-falling or a level in<strong>to</strong>nation.<br />
It should be noted, that, though the lines representing<br />
rising and falling in<strong>to</strong>national patterns are straight, this does<br />
not indicate that the in<strong>to</strong>nation of the segments in question<br />
rises or falls constantly and regularly from beginning <strong>to</strong> end.<br />
It will be noticed that each line is marked with an arrow. This<br />
is intended <strong>to</strong> suggest that the line indicates the general trend,<br />
but only the general trend, of the in<strong>to</strong>nation of a particular<br />
segment. In reality, between the beginning and the end of a<br />
segment marked as having a generally rising or falling in<strong>to</strong>nation<br />
there may well be secondary peaks or dips or short<br />
stretches of level in<strong>to</strong>nation, and what is basically a ‘falling’<br />
segment may well rise a little at the end.<br />
20.1.4 It cannot be stressed <strong>to</strong>o much that all that we aim<br />
<strong>to</strong> present here is as simple an account as possible of the<br />
essentials of what is, in reality, a highly intricate system and<br />
one which, furthermore, has not yet been fully investigated and<br />
analysed in all its finest details. What follows is, therefore,<br />
no more than a schematic description of <strong>French</strong> in<strong>to</strong>nation,<br />
characterizing in broad outline the principal in<strong>to</strong>nation patterns<br />
associated with different kinds of utterance (statements,<br />
questions and commands).<br />
We shall not attempt <strong>to</strong> deal at any length with the<br />
numerous fac<strong>to</strong>rs that can interfere with these basic patterns.