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An Introduction to French Pronunciation

An Introduction to French Pronunciation

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146 In<strong>to</strong>nation<br />

exist for transcribing phonemes and allophones of languages<br />

with an adequate degree of precision, there are no equally<br />

widely recognized conventions for representing in<strong>to</strong>national<br />

patterns. At least four fundamentally different systems, some<br />

of them with markedly differing subvarieties, are in existence<br />

and have been used in recent descriptions of <strong>French</strong>.<br />

20.1.3 The system used in this book is a variation on what<br />

is probably both the simplest (in the sense of easiest <strong>to</strong> grasp)<br />

and the most widely used system. It consists of lines printed<br />

above each rhythmic group which indicate schematically<br />

whether the group in question is pronounced with a rising, a<br />

falling, a rising-falling or a level in<strong>to</strong>nation.<br />

It should be noted, that, though the lines representing<br />

rising and falling in<strong>to</strong>national patterns are straight, this does<br />

not indicate that the in<strong>to</strong>nation of the segments in question<br />

rises or falls constantly and regularly from beginning <strong>to</strong> end.<br />

It will be noticed that each line is marked with an arrow. This<br />

is intended <strong>to</strong> suggest that the line indicates the general trend,<br />

but only the general trend, of the in<strong>to</strong>nation of a particular<br />

segment. In reality, between the beginning and the end of a<br />

segment marked as having a generally rising or falling in<strong>to</strong>nation<br />

there may well be secondary peaks or dips or short<br />

stretches of level in<strong>to</strong>nation, and what is basically a ‘falling’<br />

segment may well rise a little at the end.<br />

20.1.4 It cannot be stressed <strong>to</strong>o much that all that we aim<br />

<strong>to</strong> present here is as simple an account as possible of the<br />

essentials of what is, in reality, a highly intricate system and<br />

one which, furthermore, has not yet been fully investigated and<br />

analysed in all its finest details. What follows is, therefore,<br />

no more than a schematic description of <strong>French</strong> in<strong>to</strong>nation,<br />

characterizing in broad outline the principal in<strong>to</strong>nation patterns<br />

associated with different kinds of utterance (statements,<br />

questions and commands).<br />

We shall not attempt <strong>to</strong> deal at any length with the<br />

numerous fac<strong>to</strong>rs that can interfere with these basic patterns.

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