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PDF (PhD Thesis) - UWE Research Repository - University of the ...

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If I don’t like this, what can I do to change it?<br />

In <strong>the</strong> storyboard in our sixth meeting, we created <strong>the</strong> picture <strong>of</strong> <strong>the</strong> female<br />

bodybuilder who represents strength and fitness juxtaposed with <strong>the</strong> back<br />

<strong>of</strong> a woman‘s face wearing half a policewoman‘s hat. Images and<br />

metaphors were part <strong>of</strong> our shared reflective experience (Clarkson &<br />

Nicolopulou 2003) however <strong>the</strong> co-inquirers did not comment and weren‘t<br />

drawn to this image in <strong>the</strong>ir final interviews. Never<strong>the</strong>less for me, this<br />

picture represents <strong>the</strong> constant tension deep within myself; between <strong>the</strong><br />

policewoman that is my critical voice (<strong>the</strong> ―silencing policeman‖ Milner<br />

1986) who censors my thoughts and actions (or as Lois from <strong>the</strong> co-inquiry<br />

group, called her ―<strong>the</strong> thought police―) while <strong>the</strong> bodybuilder represents my<br />

strong powerful voice that is up for a challenge and has a sense <strong>of</strong> my<br />

personal power.<br />

I have noticed this critical voice reduces my ability to reflect encouraging<br />

me to whinge ra<strong>the</strong>r than follow through on issues and initiate changes<br />

while <strong>the</strong> strong voice recognises my creative strength and my political<br />

and systemic influence within <strong>the</strong> organisation. Yet for me, <strong>the</strong>se different<br />

voices (aspects <strong>of</strong> my multiple selves) do not always work toge<strong>the</strong>r, <strong>the</strong>y<br />

<strong>of</strong>ten work against my intentions reducing my effectiveness. As Alice said<br />

in her final interview:<br />

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