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Santander, February 19th-22nd 2008 - Aranzadi

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174<br />

RUTH MAICAS & AIXA VIDAL<br />

Almizaraque and Rambla de Huéchar, where Siret<br />

himself identified the abrasion of part of the spira to<br />

make some kind of horns or trumpets. Moreover, he<br />

also found some fragments cut out from the big gastropod<br />

showing an important abrasion in their external<br />

surface and tiny unidentified particles on both<br />

surfaces. These cuts take advantage of the natural<br />

curve of the mollusc shell, a technique that provides<br />

both a small concavity and a flat area that facilitates<br />

the addition of a handle to the object, making it a<br />

sort of vessel or spoon. At the same time, this handle<br />

area shows the undulated natural form of the<br />

gastropod, which could be also useful as an imprecise<br />

scraper. Moreover, some shell fragments that<br />

present a small surface worked in a rounded form<br />

perpendicular to the object axis may also have<br />

functioned as burnishers in pottery decoration.<br />

Finally, due to their natural morphology,<br />

Scaphopoda specimens found in these prehistoric<br />

sites may only be postulated as mollusc beads.<br />

4. BEADS AND PENDANT WITH GEOMETRIC<br />

PARAMETERS<br />

The breaking and abrasion by sea phenomena<br />

can form natural “beads”, such as the small<br />

cupules from Conus. Most frequently, though, the<br />

beads have experienced important transformations,<br />

making it very difficult to recognize their original<br />

forms. The modifications sometimes show<br />

simple geometric patterns; thus, they could be<br />

classified according to their appearances. In<br />

Southeast Iberia, the most frequent shape of shell<br />

materials is the discoidal bead, first analysed by<br />

Siret (Maicas 2007: 24).<br />

5. SUMMARY<br />

Abrasion is the most frequent manufacturing<br />

technique found in these assemblages. We observe<br />

percussion and grooving too, as well as combinations<br />

of different techniques in the same objects.<br />

For the preparation of holes, the use of both flint<br />

and metal drills can be identified, according to the<br />

period. Marks of flint drills are easily recognized by<br />

their conical shape and clear parallel striation.<br />

Metal drills, on the other hand, produce rather cylindrical<br />

profiles and plain walls (Barciela 2004: 562).<br />

So far, the aesthetic value of these molluscs is<br />

impossible to assess in prehistoric societies, but<br />

colour was most probably important in this aspect<br />

(for a different discussion of the role of colour in the<br />

selection of raw materials, see Roberts <strong>2008</strong>). It is<br />

likely that the presence of a crackled transparent<br />

substance over the surfaces -probably resinobserved<br />

both on Glycymeris sp. and Conus<br />

mediterraneus shells was related to the interest in<br />

intensifying the original colour of the shell.<br />

The time spent in manufacturing either an<br />

ornament or any other non-utilitarian object is<br />

important from a modern perspective, but it may<br />

not be the same parameter for prehistoric societies,<br />

making it difficult to evaluate their significance<br />

in their original systemic contexts. Social identity<br />

as a symbol, quality of handicraft, size, colour and<br />

resource availability are some of the aspects that<br />

may determine whether an object is accessible or<br />

not. In this situation, molluscs directly recovered<br />

and used without any intentional modification may<br />

have been available for all the members of a community;<br />

taxonomic selection, on the other hand,<br />

may indicate a previously assigned value, which<br />

determines the sense of gathering them. The presence<br />

of sea molluscs frequent in inland sites<br />

some 60km from the sea (30 out of 35 graves from<br />

Alto Almanzora) suggests some kind of exchange<br />

relationship. The differences in shell material percentages<br />

between Neolithic and Chalcolithic<br />

assemblages further show at least a change in the<br />

social value of these items.<br />

The concentration of Conus and Columbella<br />

shells in Almizaraque suggests the existence of a<br />

workshop, possibly with a production similar to those<br />

in Egypt or the Near East. Since Siret’s first finding of<br />

these workshops in Los Toyos (Siret and Siret 1890)<br />

the reports of different manufacture loci have increased,<br />

suggesting basically domestic and scarcely<br />

specialized production (Pascual 2005: 284).<br />

Among Southeastern Iberian organic artefacts,<br />

shell was the most abundant material during<br />

the Neolithic, although it continued to be significant<br />

during the next period, especially in Millares’<br />

graves. As the recovery of shell in coastal sites is<br />

quite frequent and non-specific, it may have been<br />

an easily accessible raw material for ornaments<br />

and small utilitarian objects. Then, why is the percentage<br />

of shell objects higher at Neolithic than at<br />

Chalcolithic sites? Is it just a mirror of the increasing<br />

social differentiation in Chalcolithic societies?<br />

The existence of new and exotic materials had<br />

probably devaluated the ornamental role of the<br />

humble local shell; however, it seems to have<br />

retained its importance for utilitarian uses.<br />

Many authors have considered the social<br />

value of adornments; the collections we discussed,<br />

however, present the serious drawback of<br />

lacking a detailed context of finding. Furthermore,<br />

MUNIBE Suplemento - Gehigarria 31, 2010<br />

S.C. <strong>Aranzadi</strong>. Z.E. Donostia/San Sebastián

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