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Santander, February 19th-22nd 2008 - Aranzadi

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224<br />

EMILIANO R. MELGAR<br />

In addition, this analysis suggests that the<br />

wider distribution of Oliva pendants is a direct<br />

result of the fact that their production is less time<br />

and work consuming (2-15 hours of work) than that<br />

of other objects, such as inlays, beads, and pendants<br />

(50-100 hours of work).<br />

Finally, attention is drawn to the fact that the<br />

only type of shell object which was re-used or recycled<br />

in the site is pendants. The xochicalcas<br />

reworked these pendants with transversal and longitudinal<br />

cuts that required much more time than<br />

during the production of the original object.<br />

However, none of the inlays were placed as offerings<br />

and they were treated more like garbage. A<br />

likely explanation may be that the pendants, which<br />

may have once been the prized possession of<br />

warriors, were reworked as a gesture of desecration.<br />

This is consistent with the more general pattern<br />

observable during the final years of the site's<br />

occupation, before the last great pillage and fire.<br />

At that time, there are evidence of conflicts between<br />

the leading groups and the destruction of<br />

objects of power such as the iconographically<br />

reliefs which were covered with stucco (Garza and<br />

González 2005: 202).<br />

5. CONCLUSIONS<br />

As it has been observed, the automorphic<br />

pendants made, as prestige goods, out of various<br />

species of Oliva, mostly originating from shorelines<br />

of the Pacific Ocean, are the most ancient shell<br />

objects placed in offerings at Xochicalco.<br />

Each string of pendants displays different perforation<br />

manufacturing techniques. Thanks to<br />

experimental archaeology and the analysis of<br />

manufacturing traces using stereoscopic microscope<br />

and a scanning electron microscope, it was<br />

possible to identify three different processes<br />

employed in the elaboration of these pieces: sand<br />

with reed, chert burins and obsidian flakes. This<br />

heterogeneity of tools used to produce the same<br />

modification could be a result of different groups of<br />

artisans or workshops that made them, probably<br />

without any control by the elite. It also contrasts<br />

with a standardisation of tools identified in the later<br />

contexts, where all objects were abraded with<br />

basalt, cut with obsidian flakes and drilled with<br />

chert. In this way, only the inlays made from reused<br />

pendants match this manufacturing tendency,<br />

all being cut with obsidian. Also these pendants<br />

stand out for being the only shell objects reused<br />

at the site, possibly as a desecration of<br />

warrior insignias, as a reflection of conflicts operating<br />

then among leading groups, before the final<br />

abandonment of the site.<br />

Finally, it is important to stress the necessity of<br />

this kind of study for other shell material collections<br />

in order to identify manufacturing patterns<br />

and to infer aspects of production and organization,<br />

and perhaps styles and technological traditions<br />

across time.<br />

6. ACKNOWLEDGEMENTS<br />

We address special thanks to Silvia Garza,<br />

Norberto González, Claudia Alvarado, Adrián<br />

Velázquez, and all the members of the Xochicalco<br />

Project and the Experimental Archaeology Shell<br />

Workshop to Norma Valentín, Belem Zuñiga, and<br />

Antonio Alva, and finally Ana Laura Solís, Victor<br />

Solís, Kim Richter, for their comments and suggestions<br />

Virginia Fields, Bruce Bradley and Victoria<br />

Stosel for helping us with the English translation.<br />

6. BIBLIOGRAPHY<br />

ABBOTT, R. T.<br />

1982 Kingdom of the Seashell. Bonanza Books, New York.<br />

ASCHER, R.<br />

1961 “Experimental Archaeology”. American Anthropologist, 63<br />

(4): 793–816.<br />

BINFORD, L.<br />

1991 Bones, ancient men, and modern myths. Academic<br />

Press, London.<br />

GARZA, S. & GONZÁLEZ, N.<br />

1995 “Xochicalco”. In: Wimer, J. (Ed.): La Acrópolis de<br />

Xochicalco. Instituto de Cultura de Morelos, Cuernavaca:<br />

89–144.<br />

1998 “La Pirámide de las Serpientes Emplumadas”.<br />

Arqueología Mexicana, V (30): 22–25.<br />

2005 “Un marcador en Xochicalco, Morelos”. In: Benavides, A.,<br />

Manzanilla, L. & Mirambell, L. (Coords.): Homenaje a<br />

Jaime Litvak. Instituto Nacional de Antropología e Historia-<br />

Universidad Nacional Autónoma de México, México:<br />

195–203.<br />

2006 “Cerámica de Xochicalco”. In: Merino Carrión, L. & García<br />

Cook, A. (Eds.): La producción alfarera en el México antiguo.<br />

Volumen III. La alfarería del Clásico tardío (700-1200<br />

d.C.). Instituto Nacional de Antropología e Historia,<br />

México: 125–159.<br />

HOHMANN, B. M.<br />

2002 Preclassic Maya Shell Ornament Production in the Belize<br />

Valley, Belize. PhD, The University of New Mexico.<br />

Albuquerque. (unpublished).<br />

KEEN, M.<br />

1971 Sea Shells of Tropical West America. Stanford University<br />

Press, Stanford.<br />

MUNIBE Suplemento - Gehigarria 31, 2010<br />

S.C. <strong>Aranzadi</strong>. Z.E. Donostia/San Sebastián

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