Santander, February 19th-22nd 2008 - Aranzadi
Santander, February 19th-22nd 2008 - Aranzadi
Santander, February 19th-22nd 2008 - Aranzadi
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
224<br />
EMILIANO R. MELGAR<br />
In addition, this analysis suggests that the<br />
wider distribution of Oliva pendants is a direct<br />
result of the fact that their production is less time<br />
and work consuming (2-15 hours of work) than that<br />
of other objects, such as inlays, beads, and pendants<br />
(50-100 hours of work).<br />
Finally, attention is drawn to the fact that the<br />
only type of shell object which was re-used or recycled<br />
in the site is pendants. The xochicalcas<br />
reworked these pendants with transversal and longitudinal<br />
cuts that required much more time than<br />
during the production of the original object.<br />
However, none of the inlays were placed as offerings<br />
and they were treated more like garbage. A<br />
likely explanation may be that the pendants, which<br />
may have once been the prized possession of<br />
warriors, were reworked as a gesture of desecration.<br />
This is consistent with the more general pattern<br />
observable during the final years of the site's<br />
occupation, before the last great pillage and fire.<br />
At that time, there are evidence of conflicts between<br />
the leading groups and the destruction of<br />
objects of power such as the iconographically<br />
reliefs which were covered with stucco (Garza and<br />
González 2005: 202).<br />
5. CONCLUSIONS<br />
As it has been observed, the automorphic<br />
pendants made, as prestige goods, out of various<br />
species of Oliva, mostly originating from shorelines<br />
of the Pacific Ocean, are the most ancient shell<br />
objects placed in offerings at Xochicalco.<br />
Each string of pendants displays different perforation<br />
manufacturing techniques. Thanks to<br />
experimental archaeology and the analysis of<br />
manufacturing traces using stereoscopic microscope<br />
and a scanning electron microscope, it was<br />
possible to identify three different processes<br />
employed in the elaboration of these pieces: sand<br />
with reed, chert burins and obsidian flakes. This<br />
heterogeneity of tools used to produce the same<br />
modification could be a result of different groups of<br />
artisans or workshops that made them, probably<br />
without any control by the elite. It also contrasts<br />
with a standardisation of tools identified in the later<br />
contexts, where all objects were abraded with<br />
basalt, cut with obsidian flakes and drilled with<br />
chert. In this way, only the inlays made from reused<br />
pendants match this manufacturing tendency,<br />
all being cut with obsidian. Also these pendants<br />
stand out for being the only shell objects reused<br />
at the site, possibly as a desecration of<br />
warrior insignias, as a reflection of conflicts operating<br />
then among leading groups, before the final<br />
abandonment of the site.<br />
Finally, it is important to stress the necessity of<br />
this kind of study for other shell material collections<br />
in order to identify manufacturing patterns<br />
and to infer aspects of production and organization,<br />
and perhaps styles and technological traditions<br />
across time.<br />
6. ACKNOWLEDGEMENTS<br />
We address special thanks to Silvia Garza,<br />
Norberto González, Claudia Alvarado, Adrián<br />
Velázquez, and all the members of the Xochicalco<br />
Project and the Experimental Archaeology Shell<br />
Workshop to Norma Valentín, Belem Zuñiga, and<br />
Antonio Alva, and finally Ana Laura Solís, Victor<br />
Solís, Kim Richter, for their comments and suggestions<br />
Virginia Fields, Bruce Bradley and Victoria<br />
Stosel for helping us with the English translation.<br />
6. BIBLIOGRAPHY<br />
ABBOTT, R. T.<br />
1982 Kingdom of the Seashell. Bonanza Books, New York.<br />
ASCHER, R.<br />
1961 “Experimental Archaeology”. American Anthropologist, 63<br />
(4): 793–816.<br />
BINFORD, L.<br />
1991 Bones, ancient men, and modern myths. Academic<br />
Press, London.<br />
GARZA, S. & GONZÁLEZ, N.<br />
1995 “Xochicalco”. In: Wimer, J. (Ed.): La Acrópolis de<br />
Xochicalco. Instituto de Cultura de Morelos, Cuernavaca:<br />
89–144.<br />
1998 “La Pirámide de las Serpientes Emplumadas”.<br />
Arqueología Mexicana, V (30): 22–25.<br />
2005 “Un marcador en Xochicalco, Morelos”. In: Benavides, A.,<br />
Manzanilla, L. & Mirambell, L. (Coords.): Homenaje a<br />
Jaime Litvak. Instituto Nacional de Antropología e Historia-<br />
Universidad Nacional Autónoma de México, México:<br />
195–203.<br />
2006 “Cerámica de Xochicalco”. In: Merino Carrión, L. & García<br />
Cook, A. (Eds.): La producción alfarera en el México antiguo.<br />
Volumen III. La alfarería del Clásico tardío (700-1200<br />
d.C.). Instituto Nacional de Antropología e Historia,<br />
México: 125–159.<br />
HOHMANN, B. M.<br />
2002 Preclassic Maya Shell Ornament Production in the Belize<br />
Valley, Belize. PhD, The University of New Mexico.<br />
Albuquerque. (unpublished).<br />
KEEN, M.<br />
1971 Sea Shells of Tropical West America. Stanford University<br />
Press, Stanford.<br />
MUNIBE Suplemento - Gehigarria 31, 2010<br />
S.C. <strong>Aranzadi</strong>. Z.E. Donostia/San Sebastián