Santander, February 19th-22nd 2008 - Aranzadi
Santander, February 19th-22nd 2008 - Aranzadi
Santander, February 19th-22nd 2008 - Aranzadi
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The Maya nacreous shell garment of Oxtankah (Quintana Roo, México)<br />
233<br />
different diameters, allowed us to propose a concentric<br />
setting, where the biggest pieces where<br />
located near the lower edge (fig. 12a). The pieces<br />
with a hole in the middle were few and seemed to<br />
be the lateral border of the garment. The big rectangular<br />
pendants seemed to be in horizontal<br />
position, getting smaller at the back of the garment.<br />
In the case of the “L” forms, distributed<br />
symmetrically in three intervals over the chest, the<br />
polished surfaces allowed us to distinguish the “L”<br />
forms from the inversed “L”, one of each form in<br />
each pair (fig. 12b).<br />
7. ICONOGRAPHICAL AND DOCUMENTAL INVES-<br />
TIGATION OF DIFFERENT PRE-HISPANIC SHELL<br />
GARMENTS<br />
The manufacture trace investigation allowed us<br />
to interpret the elements as a unit in a horizontal setting.<br />
We started a quite complete documental and<br />
iconographic research about prehispanic garments,<br />
specially the ones made with shell. After this<br />
investigation we noticed that in 32 mayan sites, as<br />
Tikal, Yaxchilan, Palenque, Calakmul, Naranjo,<br />
Bonampak, Copán, Uxmal and Chichén Itzá there<br />
are images in architectural elements and mural<br />
paintings with representations of semicircular chest<br />
garments that cover the shoulders as well (Greene<br />
et al. 1972; Schele and Miller, 1992). In most of them<br />
it is difficult to distinguish the constitutive materials of<br />
the garments because the circular, quadrangular or<br />
rectangular forms of their elements do not have any<br />
color. But in almost every one, we can observe a<br />
lower edge, maybe made of a different material<br />
because of the different form and dimension, that<br />
usually has unique or pairs of pendants, located in<br />
regular intervals in the lower part of the garment.<br />
This kind of garment is rarely shown in the Early<br />
Classic period, as in Tikal, then in the Post-Classic<br />
Period it became very common as in Yaxchilán,<br />
Tikal, Calakmul, Palenque, and Seibal, to finally<br />
almost disappear in the Early Post Classic as in<br />
Uxmal and Chichén Itzá.<br />
In archaeological context there is a “cape”<br />
made of Spondylus princeps pendants over a<br />
female body located in the XV Structure of Calakmul<br />
(Patricia Meehan 2005: Pers. Comm.). Also, on the<br />
16, 18, 26, 45 and 46 architectural lintels from<br />
Yaxchilán there are representations of shell vests.<br />
This type of garment had been recovered from<br />
Garra de Jaguar tomb, one of the Calakmul rulers in<br />
the Late Classic (García and Granados 2000: 33).<br />
Related to the Colonial Maya linguistic dictionaries,<br />
we found two words related to garments: kancotom<br />
“garment with beads of Kan, for the chest”<br />
(Códice de Calkiní 1957: 118); and yopat, “a kind of<br />
garment of the ancient indians” (Arzápalo 1995:<br />
375).<br />
8. HYPOTHETICAL RESET OF THE UNIT AND ITS<br />
CONSERVATION<br />
After excavation and analyses, all the pieces<br />
were taken to the conservation laboratory at the<br />
Museo del Templo Mayor for their treatment. In the<br />
first place, we observed the actual conservation<br />
condition of the pieces, in order to have a conservation<br />
procedure. All the pieces were cleaned after<br />
excavation at the archaeological site, using a solution<br />
of alcohol mixed with water 1:1. After that, all<br />
the S. alatus and S. gigas pendants were stable.<br />
But the nacreous beads were not.<br />
The second phase of the treatment consisted in<br />
the setting of all the elements in one unit. In this phase<br />
our proposal was confirmed, because it was obvious<br />
Figure 12. The restoration of the shell garment.<br />
MUNIBE Suplemento - Gehigarria 31, 2010<br />
S.C. <strong>Aranzadi</strong>. Z.E. Donostia/San Sebastián