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Santander, February 19th-22nd 2008 - Aranzadi

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The Maya nacreous shell garment of Oxtankah (Quintana Roo, México)<br />

233<br />

different diameters, allowed us to propose a concentric<br />

setting, where the biggest pieces where<br />

located near the lower edge (fig. 12a). The pieces<br />

with a hole in the middle were few and seemed to<br />

be the lateral border of the garment. The big rectangular<br />

pendants seemed to be in horizontal<br />

position, getting smaller at the back of the garment.<br />

In the case of the “L” forms, distributed<br />

symmetrically in three intervals over the chest, the<br />

polished surfaces allowed us to distinguish the “L”<br />

forms from the inversed “L”, one of each form in<br />

each pair (fig. 12b).<br />

7. ICONOGRAPHICAL AND DOCUMENTAL INVES-<br />

TIGATION OF DIFFERENT PRE-HISPANIC SHELL<br />

GARMENTS<br />

The manufacture trace investigation allowed us<br />

to interpret the elements as a unit in a horizontal setting.<br />

We started a quite complete documental and<br />

iconographic research about prehispanic garments,<br />

specially the ones made with shell. After this<br />

investigation we noticed that in 32 mayan sites, as<br />

Tikal, Yaxchilan, Palenque, Calakmul, Naranjo,<br />

Bonampak, Copán, Uxmal and Chichén Itzá there<br />

are images in architectural elements and mural<br />

paintings with representations of semicircular chest<br />

garments that cover the shoulders as well (Greene<br />

et al. 1972; Schele and Miller, 1992). In most of them<br />

it is difficult to distinguish the constitutive materials of<br />

the garments because the circular, quadrangular or<br />

rectangular forms of their elements do not have any<br />

color. But in almost every one, we can observe a<br />

lower edge, maybe made of a different material<br />

because of the different form and dimension, that<br />

usually has unique or pairs of pendants, located in<br />

regular intervals in the lower part of the garment.<br />

This kind of garment is rarely shown in the Early<br />

Classic period, as in Tikal, then in the Post-Classic<br />

Period it became very common as in Yaxchilán,<br />

Tikal, Calakmul, Palenque, and Seibal, to finally<br />

almost disappear in the Early Post Classic as in<br />

Uxmal and Chichén Itzá.<br />

In archaeological context there is a “cape”<br />

made of Spondylus princeps pendants over a<br />

female body located in the XV Structure of Calakmul<br />

(Patricia Meehan 2005: Pers. Comm.). Also, on the<br />

16, 18, 26, 45 and 46 architectural lintels from<br />

Yaxchilán there are representations of shell vests.<br />

This type of garment had been recovered from<br />

Garra de Jaguar tomb, one of the Calakmul rulers in<br />

the Late Classic (García and Granados 2000: 33).<br />

Related to the Colonial Maya linguistic dictionaries,<br />

we found two words related to garments: kancotom<br />

“garment with beads of Kan, for the chest”<br />

(Códice de Calkiní 1957: 118); and yopat, “a kind of<br />

garment of the ancient indians” (Arzápalo 1995:<br />

375).<br />

8. HYPOTHETICAL RESET OF THE UNIT AND ITS<br />

CONSERVATION<br />

After excavation and analyses, all the pieces<br />

were taken to the conservation laboratory at the<br />

Museo del Templo Mayor for their treatment. In the<br />

first place, we observed the actual conservation<br />

condition of the pieces, in order to have a conservation<br />

procedure. All the pieces were cleaned after<br />

excavation at the archaeological site, using a solution<br />

of alcohol mixed with water 1:1. After that, all<br />

the S. alatus and S. gigas pendants were stable.<br />

But the nacreous beads were not.<br />

The second phase of the treatment consisted in<br />

the setting of all the elements in one unit. In this phase<br />

our proposal was confirmed, because it was obvious<br />

Figure 12. The restoration of the shell garment.<br />

MUNIBE Suplemento - Gehigarria 31, 2010<br />

S.C. <strong>Aranzadi</strong>. Z.E. Donostia/San Sebastián

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