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Santander, February 19th-22nd 2008 - Aranzadi

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Manufacturing techniques of Oliva pendants at Xochicalco (Morelos, México)<br />

221<br />

societies, and artifacts are produced and used<br />

following rules that determine what specific features<br />

each object has. As a result, the use or production<br />

of similar objects, elaborated under the<br />

same rulings, should be characterized by identical<br />

attributes (Ascher 1961: 793, Velázquez<br />

2007:7). Therefore, standardised attributes indicate<br />

the use of a certain tool, made from a determined<br />

material, employed in a specific manner and<br />

under certain conditions, all of which will leave<br />

characteristic and distinguishable traces on the<br />

worked materials, in this case, shells (Binford<br />

1991: 22, Velázquez 2007: 7).<br />

Since 1997, following this uniformity criteria, the<br />

same tools and manners are being reproduced at<br />

the Experimental Archaeology Shell Workshop in<br />

the Templo Mayor Museum with more than 600<br />

experiments (Fig. 5), with similar tools as those<br />

recorded in several historical sources and archaeological<br />

contexts, which were supposedly used by<br />

the various groups in pre-Hispanic México. Such<br />

tools are flakes and blades of obsidian and chert,<br />

grindstones made of basalt, andesite, riolite, limestone,<br />

sandstone, granite, and slate, among others<br />

(Velázquez 2007: 57–58).<br />

Figure 5. Experimental archaeology on shell pieces (drawing by Julio Romero).<br />

Subsequently, the resulting traces of manufacture<br />

were compared with the archaeological material<br />

on three levels: macroscopic, stereoscopic<br />

microscopy (10X, 30X and 63X), as well as<br />

Scanning Electron Microscopy, or SEM (100X,<br />

300X, 600X and 1000X).<br />

All of the archaeological pieces (290) were<br />

checked macroscopically and stereoscopically<br />

and compared with the experimental ones drilled<br />

with flakes (obsidian and chert burins) and abrasives<br />

(sand, volcanic ash, powder of obsidian, and powder<br />

of chert) and reed, obtaining the following results (fig. 6):<br />

1) Seven pendants had conical perforations<br />

without visible striations; they are similar to those<br />

ones drilled with abrasives.<br />

2) Nineteen pendants had circular striations in<br />

the conical perforation, they match with those ones<br />

drilled with flakes.<br />

3) Thirty-one pendants showed regular perforated<br />

edges with lines, they are similar to those<br />

ones drilled with flakes.<br />

4) One-hundred-and-ten pendants had irregular<br />

edges with lines, they are similar to those ones<br />

drilled with flakes.<br />

5) One-hundred-and-eight pieces (inlays, pendants<br />

and recycled pendants) showed parallel striations;<br />

they are similar to those ones cut with flakes.<br />

For the analysis with the SEM, thirty pendants<br />

were chosen based on their good preservation<br />

and the representativeness of their modifications,<br />

four from each context, except two contexts that<br />

had only one piece (Sector A and Sector E). Five<br />

patterns were identified (Fig. 7):<br />

1) Five pieces presented walls that were pierced<br />

by lines measuring approximately 1.3 µm<br />

wide, which united to form greater strokes, similar<br />

to the experimental perforations that had been<br />

made using sand and reed (Fig. 7a-b).<br />

2) Nine pierced pieces showed fine lines measuring<br />

two µm, which resembled perforations<br />

made with obsidian flakes (Fig. 7c-d).<br />

3) Nine pendants showed parallel bands of<br />

two to four µm, which are similar to drill holes made<br />

with chert burins (Fig. 7e-f).<br />

4) Four presented walls that were crossed by<br />

fine lines measuring two µm, which resembled channeled<br />

perforations produced with obsidian flakes.<br />

5) Three recycled pendants and inlays were<br />

also analyzed with Stereoscopic Microscopy and<br />

SEM. They revealed well defined parallel lines<br />

resulting from cuts made with stone tools; but the<br />

MUNIBE Suplemento - Gehigarria 31, 2010<br />

S.C. <strong>Aranzadi</strong>. Z.E. Donostia/San Sebastián

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