Santander, February 19th-22nd 2008 - Aranzadi
Santander, February 19th-22nd 2008 - Aranzadi
Santander, February 19th-22nd 2008 - Aranzadi
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Manufacturing techniques of Oliva pendants at Xochicalco (Morelos, México)<br />
221<br />
societies, and artifacts are produced and used<br />
following rules that determine what specific features<br />
each object has. As a result, the use or production<br />
of similar objects, elaborated under the<br />
same rulings, should be characterized by identical<br />
attributes (Ascher 1961: 793, Velázquez<br />
2007:7). Therefore, standardised attributes indicate<br />
the use of a certain tool, made from a determined<br />
material, employed in a specific manner and<br />
under certain conditions, all of which will leave<br />
characteristic and distinguishable traces on the<br />
worked materials, in this case, shells (Binford<br />
1991: 22, Velázquez 2007: 7).<br />
Since 1997, following this uniformity criteria, the<br />
same tools and manners are being reproduced at<br />
the Experimental Archaeology Shell Workshop in<br />
the Templo Mayor Museum with more than 600<br />
experiments (Fig. 5), with similar tools as those<br />
recorded in several historical sources and archaeological<br />
contexts, which were supposedly used by<br />
the various groups in pre-Hispanic México. Such<br />
tools are flakes and blades of obsidian and chert,<br />
grindstones made of basalt, andesite, riolite, limestone,<br />
sandstone, granite, and slate, among others<br />
(Velázquez 2007: 57–58).<br />
Figure 5. Experimental archaeology on shell pieces (drawing by Julio Romero).<br />
Subsequently, the resulting traces of manufacture<br />
were compared with the archaeological material<br />
on three levels: macroscopic, stereoscopic<br />
microscopy (10X, 30X and 63X), as well as<br />
Scanning Electron Microscopy, or SEM (100X,<br />
300X, 600X and 1000X).<br />
All of the archaeological pieces (290) were<br />
checked macroscopically and stereoscopically<br />
and compared with the experimental ones drilled<br />
with flakes (obsidian and chert burins) and abrasives<br />
(sand, volcanic ash, powder of obsidian, and powder<br />
of chert) and reed, obtaining the following results (fig. 6):<br />
1) Seven pendants had conical perforations<br />
without visible striations; they are similar to those<br />
ones drilled with abrasives.<br />
2) Nineteen pendants had circular striations in<br />
the conical perforation, they match with those ones<br />
drilled with flakes.<br />
3) Thirty-one pendants showed regular perforated<br />
edges with lines, they are similar to those<br />
ones drilled with flakes.<br />
4) One-hundred-and-ten pendants had irregular<br />
edges with lines, they are similar to those ones<br />
drilled with flakes.<br />
5) One-hundred-and-eight pieces (inlays, pendants<br />
and recycled pendants) showed parallel striations;<br />
they are similar to those ones cut with flakes.<br />
For the analysis with the SEM, thirty pendants<br />
were chosen based on their good preservation<br />
and the representativeness of their modifications,<br />
four from each context, except two contexts that<br />
had only one piece (Sector A and Sector E). Five<br />
patterns were identified (Fig. 7):<br />
1) Five pieces presented walls that were pierced<br />
by lines measuring approximately 1.3 µm<br />
wide, which united to form greater strokes, similar<br />
to the experimental perforations that had been<br />
made using sand and reed (Fig. 7a-b).<br />
2) Nine pierced pieces showed fine lines measuring<br />
two µm, which resembled perforations<br />
made with obsidian flakes (Fig. 7c-d).<br />
3) Nine pendants showed parallel bands of<br />
two to four µm, which are similar to drill holes made<br />
with chert burins (Fig. 7e-f).<br />
4) Four presented walls that were crossed by<br />
fine lines measuring two µm, which resembled channeled<br />
perforations produced with obsidian flakes.<br />
5) Three recycled pendants and inlays were<br />
also analyzed with Stereoscopic Microscopy and<br />
SEM. They revealed well defined parallel lines<br />
resulting from cuts made with stone tools; but the<br />
MUNIBE Suplemento - Gehigarria 31, 2010<br />
S.C. <strong>Aranzadi</strong>. Z.E. Donostia/San Sebastián