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.<br />
—<br />
and sides of this rectangle are less than<br />
four times the ceiling height. Therefore,<br />
one large diffuser will satisfactorily handle<br />
the section from balcony to stage and will<br />
be placed at the center of the 57x45-foot<br />
ceiling area.<br />
We have one more theatre section to<br />
consider; the projection booth. Here is a<br />
volume of 2,940 cubic feet. Using the two<br />
rules, we see that one diffuser placed in<br />
the center of the 14x21 projection room<br />
ceiling will be adequate.<br />
SELECT TYPE AS WELL AS NUMBER<br />
Having determined the location and<br />
number of diffusers needed for the 600-<br />
seat theatre, it is now necessary to select<br />
the proper types and sizes. The total air<br />
volume of all areas to be conditioned is<br />
100,140 cubic feet. Since the air conditioning<br />
equipment handles 18,000 cubic feet<br />
of air every minute, the air will be changed<br />
every 5.56 minutes or about 10.8 times every<br />
hour.<br />
Turning to a manufacturer's table, we<br />
can quickly select the proper unit recommended<br />
for high rates of air change, and<br />
good for large cooling temperature differentials.<br />
It is now necessary to determine maximum<br />
neck velocity for use with this diffuser<br />
under the four types of locations<br />
In our case-history theatre. By checking<br />
the table which shows the type of diffuser<br />
chosen we find that Curve C covers<br />
areas under theatre balconies and calls for<br />
a maximum neck velocity of 1,075 feet per<br />
minute (fpm) for the diffusers here when<br />
placed 10 feet above the floor. Curve D,<br />
for areas over balconies, indicates 1,375<br />
fpm maximum neck velocity for ceiling<br />
units at 14-foot height over the balcony,<br />
1,500 fpm maximum neck velocity for the<br />
ceiling unit that is 24 feet above the floor,<br />
and 1,280 fpm maximum neck velocity for<br />
the unit in the projection room.<br />
DETERMINE REQUIREMENTS<br />
Before selecting the required size of the<br />
type of the diffuser chosen, it is necessary<br />
to find how many cubic feet of aii- each<br />
diffuser must handle every minute ( cfm<br />
i<br />
Under the balcony the volume of the enclosure<br />
is 33x45x10 feet or 14,850 cubic<br />
feet. Since the system changes the air<br />
10.8 times every hour, the two diffusers<br />
under the balcony must pass 1,335 cfm<br />
apiece.<br />
For the section over the balcony the<br />
volume is 20,790 cubic feet. Since the system<br />
changes air 10.8 times every hour, the<br />
two diffusers over the balcony must pass<br />
3,740 cfm, or 1,870 cfm apiece.<br />
In the area from balcony to stage the<br />
volume is 61,560 cubic feet. The single<br />
diffuser for this section must pass 11,100<br />
cfm. Finally, in the projection room the<br />
single diffuser must pass 530 cfm.<br />
Fi-om tables prepared by the Anemostat<br />
Corp., it is now possible to determine the<br />
necessary size of diffuser to deliver 1,400<br />
cfm 11,335 cfm calculated requirement)<br />
with a neck velocity of 1,000 fpm (maximum<br />
allowable 1,075 fpm). The table also<br />
shows this size unit can take care of a<br />
radius of diffusion from 8 to 17 feet at<br />
1,000 fpm neck velocity. Each diffuser<br />
under the balcony serves an area 22V2X33<br />
feet, thus the radius from the diffuser to<br />
the nearest side wall is 11 "A feet and to<br />
the farthest wall is 16 y2 feet—this is within<br />
the specified limitations.<br />
Again using this table for the diffusei's<br />
over the balcony, the same size diffuser<br />
will deliver 1,870 cfm (calculated requirement)<br />
at 1,343 fpm neck velocity (interpolated)<br />
which is under the maximum allowable<br />
neck velocity calculated (1,375<br />
fpm). The table also shows this size unit<br />
can take care of a radius of diffusion from<br />
9 to 20 feet at 1,300 fpm neck velocity.<br />
Each diffuser over the balcony serves an<br />
area 22'/2x33 feet, thus the radius from<br />
the diffuser to the nearest side wall is llVi<br />
feet and to the farthest wall is 16% feet<br />
again within the specified limitations.<br />
EMPLOY LARGER UNIT<br />
Applying the table to selection of the<br />
diffuser over the theatre section from balcony<br />
to stage, a larger unit will deliver<br />
11,810 cfm at 1,500 fpm neck velocity.<br />
Calculated requirement was 11,100 cfm at<br />
PIAN VIEW AT AUOITOSIUM CEIUNG<br />
a neck velocity not to exceed 1,500 fpm.<br />
Allowable radius of diffusion is from 26 to<br />
53 feet at 1,500 fpm neck velocity. Actual<br />
measurements between walls is 22 '/a feet<br />
which is within the requirements.<br />
In the projection room we find that the<br />
proper diffuser will deliver 545 cfm (530<br />
cfm calculated requirement) with a neck<br />
velocity of 1,000 fpm. The table shows that<br />
this unit can take care of a radius of<br />
diffusion from 5 to 11 feet at 1,000 fpm<br />
neck velocity. This diffuser actually<br />
serves an area of 14x21 feet, thus the<br />
radius from the diffuser to the nearest side<br />
wall is 7 feet and to the farthest wall is<br />
10 ('2 feet—this is within the specified requirements.<br />
BASE SYSTEM ON DIFFUSER NEEDS<br />
From the very simple steps outlined, it<br />
should be quite obvious to theatremen<br />
that they can take pencil in hand and can<br />
do a bit of figuring themselves before<br />
calling in the air conditioning experts.<br />
True, many other problems must be solved<br />
before final plans can be drawn, but once<br />
the diffusers are selected and placed, then<br />
the rest of the system is designed to fit<br />
this picture.<br />
Many attractive decorative effects can<br />
be worked out by accommodating lighting<br />
and air diffusion needs through use of<br />
combination units. Other stimulating* architectural<br />
motifs can be developed by<br />
surrounding the diffuser unit with cove<br />
lighting construction.<br />
Choice of proper air diffusers is a vital<br />
step in laying out a new system or in<br />
eliminating troubles in old installations.<br />
With this basic know-how, theatre owners<br />
and operators can approach the problem<br />
with increased understanding of proper<br />
equipment requirements.<br />
=15<br />
2 T,pt AH 1 Aremoito ,<br />
diHuicri 16" n«l dcom.,<br />
40" outer cone d>om Copoolr<br />
1400 UNOEI lAlCONT<br />
BOXOFFICE March 4, 1950