21.11.2014 Views

Clayton George Wickham - final thesis

Clayton George Wickham - final thesis

Clayton George Wickham - final thesis

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

132<br />

face can explain the sound he hears. We might perhaps not have noticed the<br />

significance of some sound or noise if we had not seen its effect in the mirror of a<br />

human face.” (1985; 119) The sequences depicting the deaths of Steve and the boy<br />

counsellor are exemplary of this statement. The boy counsellor’s death is shown<br />

through three shots. The eye/camera moves toward him, as he retains eye/contact<br />

trying to explain what he was doing. As the boy appears in close up, the eye/camera<br />

lunges forward accompanied by a sound effect indicating a knife penetrating flesh<br />

and an orchestral sting. The boy doubles over as there is a cut to a long shot of him<br />

falling over, holding his stomach and bleeding. The image then cuts back to the<br />

eye/camera shot as it begins to pursue the girl counsellor. Steve’s death is seen<br />

through a single eye/camera shot. The killer shines a flashlight in his face, and Steve<br />

walks toward the camera saying “Oh it’s you! What are you doing out here?” His<br />

voice and the rain are the only sounds heard, but as he moves into close up, like with<br />

the boy counsellor, there is an orchestral sting and a knife penetrating flesh sound as<br />

he is apparently stabbed just below the frame, and he doubles over as the image cuts<br />

to the next sequence.<br />

Marcie’s death is more structurally complex. In the bathroom, she hears a<br />

sound over by a row of showers. She opens one curtain that she has seen moving,<br />

with nothing inside. From inside the shower, Marcie is shown in medium shot as the<br />

shadow of a hatchet is seen on the wall behind her, rising into the air. We hear her<br />

talking to herself as the score grows in intensity. As she turns around, there is a cut<br />

to a slightly high angle medium shot as she looks at the hatchet above her. As the<br />

score continues to increase in volume, there is a cut to a low angle shot of the hatchet<br />

being raised. There is another cut to the same high angle shot of Marcie, her face<br />

contorted into a cry, which we hear, and another cut back to the hatchet as it swings

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!