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Clayton George Wickham - final thesis

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style which is replicated later in the series, but largely unused to this point. By using<br />

concentrated forms of perspective in establishment in all quarters of the film’s<br />

aesthetic, A New Beginning not only stands out as unique within the series, but also,<br />

in some ways, becomes a template for future instalments.<br />

Pete’s death uses a snap zoom as an alternative to editing to indicate his<br />

perspective. He is seen in profile facing left trying to start the car, and once the<br />

engine starts, as indicated by the soundtrack, a hand reaches between him and the<br />

viewer, grabs his forehead, pulls it back and places a knife in front of his throat.<br />

This cuts to a medium shot of Pete from the front, the knife in position, and as the<br />

arm begins to drag the knife across his throat, there is a snap zoom 12 to an extreme<br />

close up of his eyes, occurring while the score plays a sustained high note, and there<br />

is a slicing and squirting sound heard. Although the precise event has been<br />

foreshadowed by the score and the visual appearance of the knife placed at his<br />

throat, the actual mutilation remains unseen, the sound acting in lieu of the visual.<br />

There is then a cut back to the profile shot of Pete, as the knife moves away from his<br />

now bloody throat and the hand lets go of his forehead. Despite the steady pace of<br />

the editing of this sequence, the snap zoom is an unexpected visual occurrence that<br />

moves contrary to the steady pace of the editing. This is designed to create a shock<br />

in the spectator which reflects Pete’s surprise at this sudden attack, in addition to the<br />

MPAA requirements for removing graphic bodily mutilation, as the zoom masks the<br />

graphic violence.<br />

12 This shot is technically not a snap zoom, but an image freeze and frame enlargement created to<br />

resemble a snap zoom, much like the closing shot of The 400 Blows (Les Quatre Cents Coups) (1959;<br />

dir. Truffaut). However, the enlargement begins at the moment the frame freezes in order to cover the<br />

fact that it is a freeze frame, giving the sensation of consistent motion. As this is done to create the<br />

illusion of a snap zoom, I will refer to it as such.

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