21.11.2014 Views

Clayton George Wickham - final thesis

Clayton George Wickham - final thesis

Clayton George Wickham - final thesis

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

285<br />

McLarty, L. (1998) “‘I’ll be back’: Hollywood, Sequelization, and History” in P.<br />

Budra and E. Schellenberg (eds.), Part Two: Reflections on the Sequel, (1998),<br />

Toronto, University of Toronto Press<br />

Metz, W. (2007) “Shark Porn: Film Genre, Reception Studies, and Chris Kentis’s<br />

Open Water” in Film Criticism, 31:3 (2007): 36-58<br />

Miller, T. and R. Stam (eds.) (2004) A Companion to Film Theory, Oxford,<br />

Blackwell Publishing<br />

Mittell, J. (2009) “Previously On: Prime Time Serials and the Mechanics of<br />

Memory” on Just TV, posted: 03-07-3009:<br />

http://justtv.wordpress.com/2009/07/03/previously-on-prime-time-serials-and-themechanics-of-memory/<br />

Accessed: 08-05-2012<br />

Modleski, T. (2000) “The Terror of Pleasure: The Contemporary Horror Film and<br />

Postmodern Theory” in Gelder, K. (ed.), Horror Reader (2000), London, Routledge<br />

Monaco, J. (1980) “Aaaiieeeaarrggh!!” in Sight and Sound, 49:2 (1980): 80-82<br />

Morris, J. (2010) “The Justification of Torture-Horror: Retribution and Sadism in<br />

Saw, Hostel, and The Devil’s Rejects” in Fahy, T. (ed.), The Philosophy of Horror.<br />

(2010) Lexington, The University Press of Kentucky<br />

Mosley, L. (1960) “Peeping Tom” (Review) in Daily Express, 8 April 1960

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!