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Clayton George Wickham - final thesis

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137<br />

The sounds indicating the stabbings solidify our knowledge of the unseen events,<br />

even if the viewer experiences tension caused by the desire to see the sources of the<br />

sounds. Steve’s death, however, is complicated by the sudden cut to the next<br />

sequence that occurs after he is stabbed. While his death is anticipated through<br />

generic codes (i.e.-eye/camera, dark and rainy night, flashlight limiting the victim’s<br />

eyesight), the sudden change of scene echoes the surprise Steve experiences as he is<br />

being killed, causing a double perspective, beginning with the aggressor up through<br />

the moment of the stabbing, and immediately followed by victim perspective created<br />

through the shock and visceral impact of the edit. The edit following the boy<br />

counsellor’s death, which was written about in the last chapter, only briefly changes<br />

the visual point of view, while retaining temporal continuity within the sequence.<br />

Thus, the boy counsellor’s death is not completely removed from the perspective of<br />

the aggressor, and the edit merely contributes to the visceral impact, compounded by<br />

the sound design without changing character perspective.<br />

Marcie’s death is structured differently from those of Steve and the boy<br />

counsellor. The sound is altered by three primary elements. Firstly, the music<br />

gradually crescendos throughout the sequence, climaxing as the hatchet strikes<br />

Marcie in the face, unlike the soft music accompanied by a sharp orchestral sting as<br />

Steve and the boy counsellor each are stabbed. Secondly, Marcie sensing her<br />

impending death, lets out a high pitched cry before she is killed, and this contributes<br />

to the music’s gradual swell. Finally, the change of weapon, from knife to hatchet,<br />

leads to the sound of a death blow of a different timbre to that of the stabbings of<br />

Steve and the boy counsellor. As the hatchet strikes, there is a low heavy thud with a<br />

slight crunch and squish, as opposed to the high swish and squish sounds indicating a<br />

stabbing. This sequence also contains a larger number of shots of shorter length than

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