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Clayton George Wickham - final thesis

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another, with a certain amount of depth. The new viewer, however, only receives a<br />

superficial understanding of these elements. Ginny can be understood as a central<br />

victim, Jason as the primary antagonist, and “Mother” as Jason’s dead mother whom<br />

he idolizes. While this information is all that is necessary to understand the<br />

remaining film, the new viewer can potentially be disoriented by the sudden<br />

appearance of these characters in action, who are depicted as previously established<br />

characters. The franchise viewer could view this sequence comfortably from the<br />

beginning because of a previously defined relationship with them. In this way, the<br />

opening of Friday the 13 th Part III 3-D behaves more as a serial continuation than a<br />

loosely attached sequel, as the beginning of Friday the 13 th Part 2 functions.<br />

The introduction to The Final Chapter, a title which directly alludes to a serial<br />

narrative, returns to the framing device used at the beginning of Friday the 13 th Part<br />

2. This time, the frame is a clip from Friday the 13 th Part 2 in which Paul is telling<br />

the other counsellors the story of Jason as they sit around a campfire. Relevant clips<br />

are shown from Friday the 13 th through Friday the 13 th Part III 3-D, including death<br />

sequences to punctuate the story. For instance, Steve Christy’s death from Friday<br />

the 13 th is shown after Paul says, “Some folks claim they’ve even seen him right in<br />

this area.” Following Paul’s statement that, after seeing his mother beheaded, “He<br />

took his revenge,” film clips from the deaths of Vickie, Sandra and Jeff as well as the<br />

first attack on Ginny are cut into the sequence. The campfire story framing needs<br />

little context, as the story of Jason sounds like the sort of myths and urban legends<br />

that are typically passed around the campfire, as described by Stephen King:<br />

The story of The Hook is a simple, brutal classic of horror. It offers no<br />

characterization, no theme, no particular artifice; it does not aspire to

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