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Clayton George Wickham - final thesis

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xxix<br />

Friday the 13 th was Halloween (1978; dir. Carpenter) 2 , the film only copied the<br />

narrative structure of the film and adopted the aesthetic template of the giallo, unlike<br />

its contemporaries’ aesthetic replication of Halloween, which was an unexpectedly<br />

successful independent film. An exception from this period could be made for Brian<br />

De Palma’s film Dressed to Kill (1980), which doesn’t appear to emulate<br />

Halloween’s aesthetic. However, De Palma is known for his close stylistic<br />

emulation of Alfred Hitchcock’s films 3 ; Dressed to Kill closely mirrors Psycho<br />

(1960; dir. Hitchcock) in both narrative and aesthetics. Moreover, some giallo<br />

filmmakers, particularly Argento, owe much of their stylistic tendencies to<br />

Hitchcock as well. One of Mario Bava’s earliest films is entitled La Ragazza Che<br />

Sapeva Troppo which can be directly translated to The Girl Who Knew Too Much<br />

(1963; dir. Bava), a title that alludes to Hitchcock’s The Man Who Knew Too Much<br />

(1934 and 1956). Argento more recently made a film for Italian television entitled<br />

Ti Piace Hitchcock? (Do You Like Hitchcock?) (2005) in which a film student<br />

becomes entangled in the activities of a serial killer, and during the course of the film<br />

a large number of set pieces are transposed onto the narrative from a multiplicity of<br />

Hitchcock films. Even John Carpenter acknowledges a debt to Hitchcock’s<br />

filmmaking as an influence, in addition to highlighting his intention to favour<br />

cinematic suggestion of violence rather than overt portrayal. 4<br />

Immediate<br />

predecessors to Halloween (1978; dir. Carpenter) like Black Christmas (1974; dir.<br />

Clark), The Eyes of Laura Mars (1978; dir. Kershner) and The Texas Chain Saw<br />

2 To be discussed in Chapter 3.<br />

3 This also comes by De Palma’s own admission. In an interview with Richard Rubinstein, he states,<br />

“I am also a great admirer of Hitchcock and Psycho, and there are great many structural elements here<br />

that are in all Hitchcock’s movies,” (1973; 3) in reference to his film Sisters (1973).<br />

4 Both of these claims can be found in Carpenter’s segments of the audio commentary in the opening<br />

sequence on the Halloween 25 th anniversary edition DVD released by Anchor Bay in 2003.

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