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Clayton George Wickham - final thesis

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204<br />

codes. Nostalgia, however, I will use to denote a sensation of memory for a specific<br />

period, or even a specific film, indicating stylistic similarities between texts<br />

separated in time and contemporary styles. Combined, I will be using the phrase<br />

“Nostalgia Aesthetics” to indicate a stylistic design that differs from contemporary<br />

standards in some manner, and replaces them with stylistic conventions from a<br />

different period, or even, a different film with the ultimate aim of creating a<br />

sensation of said period or film to interact with the modern text. I will therefore<br />

adapt Dika’s analysis for my specific purposes, to discuss how elements of the form<br />

and structure of past film texts are appropriated for use in later films to create an<br />

experiential tension through their juxtaposition by simultaneously reminding a<br />

viewer of a period or film while developing other elements according to<br />

contemporary standards.<br />

Friday the 13 th (2009), initiates an aesthetic game, swinging between subtle<br />

flecks of early 1980s form and a fiercely modern form. As an example, the shot<br />

following the establishment of present day Crystal Lake, a group of teenagers are<br />

shown hiking through the woods. While the events of the previous sequence could<br />

have occurred in the early 1980s, validating the clothes the girl was wearing, this<br />

group of present day teens, in some cases wear similar clothes. The character of<br />

Richie, for example, is wearing a t-shirt with a similar fit to the girl from the<br />

introductory sequence, and tighter fitting blue jeans than his contemporaries. Richie<br />

and Mike have longer hairstyles than most of the male characters in Freddy vs. Jason<br />

or even some of Friday the 13 th (2009)’s closer contemporaries. 10<br />

The same could be<br />

said of Clay and Nolan from the next group of teenagers. These hairstyles, however,<br />

10 See next chapter for consideration of these contemporaries.

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