21.11.2014 Views

Clayton George Wickham - final thesis

Clayton George Wickham - final thesis

Clayton George Wickham - final thesis

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

xli<br />

Instead of focusing on the behind-the-scenes element of slasher films, Scream draws<br />

attention to the narrative formula of the genre, and certain characters manage to<br />

survive attacks through a familiarity of specific films and generic conventions, while<br />

explicating these conventions as their motivations. The success of Scream resulted<br />

in a sequel released the following year. Scream 2 (1997; dir. Craven) furthered the<br />

postmodernist tendency, first, by focusing the intertextual narrative focus on slasher<br />

sequels and their generic functions, and secondly by using the narrative to reference<br />

itself specifically. In the film, Gayle, the journalist from Scream, has written a book<br />

about the events of the previous film, resulting in a film adaptation which is a<br />

significant reference point for both the narrative as well as an added point of selfreferentiality.<br />

In the wake of Scream, two other slasher film series began, both significant<br />

for different reasons, in that they both represent key trends within this period: one<br />

continues in the postmodern slasher vein of Scream, and the other demonstrates a<br />

return to traditional slasher formulas. A direct relative to Scream was 1998’s Urban<br />

Legend (dir. Blanks), which centres on a stalker who kills people according to<br />

popular urban legends. While Urban Legend does not approach the level of selfreferentiality<br />

of Scream and Scream 2, it still utilises the concept of stories, elements<br />

of which are assumed to be general knowledge as the modus operandi of a killer, and<br />

familiarity with these stories increases a person’s chance of survival. Later entries in<br />

this series respond more closely to trends contemporary to their releases. The year<br />

before that, I Know What You Did Last Summer (1997; dir. Gillespie) was released,<br />

which signalled a return to the slasher formula of the early 1980s. The story contains<br />

similarities to Terror Train and The Burning, in which the eventual killer, in the early<br />

sequences, is directly harmed by the protagonists, and his killing spree is acting as

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!