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Clayton George Wickham - final thesis

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272<br />

Carroll, N. (1999) “Film, Emotion, and Genre” in Carroll, N. and J. Choi (eds.),<br />

Philosophy of Film and Motion Pictures: An Anthology (2006), Oxford, Blackwell<br />

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Carroll, N. (1990) The Philosophy of Horror: Or, Paradoxes of the Heart, London,<br />

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Carroll, N. (2002) “Why Horror?” (extract) in Jancovich, M. (ed.), Horror, The Film<br />

Reader (2002), London, Routledge<br />

Charlton, W. (1970) Aesthetics: An Introduction, London, Hutchinson & Co.<br />

Cherry, B. (2005) “Broken Homes, Tortured Flesh: Hellraiser and the Feminine<br />

Aesthetic of Horror Cinema” in Film International 17 (2005): 10-16<br />

Cherry, B. (2009) Horror, London, Routledge<br />

Chion, M. (1994) Audio-Vision: Sound on Screen, Translated from French by<br />

Gorbman, C. (ed.), New York, Columbia University Press<br />

Chion, M. (2002) Eyes Wide Shut Translated from French by Selous, T., London,<br />

BFI Publishing<br />

Chion, M. (1982) The Voice in Cinema, Translated from French by Gorbman, C.<br />

(ed.), (1999), New York, NY, Columbia University Press

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