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Clayton George Wickham - final thesis

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12<br />

yellow eyes”, and the owl “holding up its wings like two shrouded arms” all indicate<br />

the first-person perspective of the character writing the letter. These specific<br />

aesthetic choices not only communicate that the story is being told from a character’s<br />

perspective, but they are also designed to elicit a horrified response in the reader. By<br />

condensing this sudden occurrence into the space of three sentences, James<br />

communicates the speed and immediacy of the event. However, by briefly delaying<br />

the revelation of the owl by saying “what in all the world do you think?”, James<br />

attempts to create a sense of tension and suspense, similar to the experience of<br />

gradually taking in one’s surroundings after being woken by a loud scream like the<br />

one mentioned. James, in a short passage manages to convey a sudden shock while<br />

still infusing it with suspense, by connecting the scene to the experience of the<br />

character within the story. The story’s success or failure in eliciting these emotions<br />

largely depends of the effectiveness of these aesthetic choices. This example from<br />

M. R. James very clearly shows the experience of an event shown from the<br />

perspective of a specific character, and this can be seen in the horror stories of many<br />

writers, such as Sheridan LeFanu’s “The Room in The Dragon Volant” (1872),<br />

Daphne Du Maurier’s “Kiss Me Again, Stranger” (1952) and Stephen King’s<br />

“Autopsy Room Four” (2002). But other examples of literature demonstrate the<br />

ability of perspective to highlight the limitations of this form of storytelling and<br />

allow the reader to question how the experience of the individual character who is<br />

telling the story differs from the actual events. This can be seen in the Henry James<br />

novella The Turn of the Screw (1898) in which a governess insists upon seeing<br />

ghosts and although there is no overt confirmation of this, she perceives other<br />

characters’ similar beliefs through her interpretation of their body language. This<br />

ambiguity also becomes a source of tension in Niki Valentine’s recent novel The

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