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Clayton George Wickham - final thesis

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171<br />

Nerve was not just a prototype slasher film: it used its kills to punctuate<br />

the flow of the story at carefully-timed intervals, amazing the audience<br />

with a flurry of shocking images, much as Friday the 13 th would do a<br />

decade later. Is the violence contained in Friday the 13 th or Twitch of the<br />

Death Nerve grounded in reality? No. The violence in these films is the<br />

stuff of pure fantasy. But does it really matter as long as the audience<br />

screams? (12)<br />

This <strong>final</strong> sentiment is echoed by Bob Martin during his interview with Sean<br />

Cunningham promoting the release of Friday the 13th:<br />

Whatever influences and inspirations are detectable in Friday the 13 th , it<br />

is apparent that Paramount Studios agrees with Cunningham about the<br />

film’s commercial potential – Paramount’s decision-makers have decided<br />

to release the film nationwide, in over 700 theaters, this May, a<br />

distribution plan that requires a major investment in the production of<br />

film prints. (1980; 64)<br />

Martin’s contemporary anticipation for the release of Friday the 13 th<br />

demonstrates, from its appearance in Fangoria, the position of a horror genre<br />

fanatic’s expectation. Through the information garnered in an interview with the<br />

director and a summary of the film, Martin creates an expectation based upon genre<br />

tropes, the previous work of the talent involved, and the declared influence of the<br />

filmmaker(s). If this article is to be taken as a representative example, it can be

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