21.11.2014 Views

Clayton George Wickham - final thesis

Clayton George Wickham - final thesis

Clayton George Wickham - final thesis

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

li<br />

proves useful within the context of my overall argument in this <strong>thesis</strong>. As the Friday<br />

the 13 th franchise has held a significant role in the evolution of the slasher film which<br />

has both responded to and influenced contemporary aesthetic trends, it naturally<br />

follows that the apparent influence of Friday the 13 th in terms of story would also<br />

extend to more subtle elements of how the stories are told. Also, while there is some<br />

crossover with regards to specific perspective positioning, the evolutional nature of<br />

the slasher’s aesthetic demands consistent variants that are difficult to trace within<br />

overall trends. However, what this analysis does show is that it is not the specific<br />

perspective that is significant, but how this perspective is rendered through the film’s<br />

form. The aesthetic similarities between the films of this genre create a picture of<br />

dominant formal trends, and the development of less solid, tenuous aesthetic<br />

elements into a fluid progression of simultaneous stylistic advance. Since the<br />

beginning of the Friday the 13 th film series, films outside of the franchise have<br />

occasionally stood as ‘classics’ of the genre and have even received<br />

acknowledgement for their originality or significance. Although the Friday the 13 th<br />

series has regularly been overlooked and frequently derided critically, it stands as a<br />

more effective barometer for developments within the genre over this thirty-plus<br />

year period.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!