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Clayton George Wickham - final thesis

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academic work and decrying the method because it runs contrary to personal interest,<br />

one risks invalidating potentially useful information. As much as I have tried, I find<br />

economic theory ponderous and boring to read. It is still a subject of absolute<br />

necessity to everyone in some form or another.<br />

No matter the amount of interest the subject holds for the reader, formalism,<br />

like theory, aims to attribute value to works of art, despite claims to the contrary.<br />

The difference lies in the criteria laid out by each method. Within this <strong>thesis</strong> I have<br />

utilised the criteria needed for a formalist analysis, and have come to certain<br />

conclusions, one of which attributes a large amount of value to Friday the 13 th Part<br />

V: A New Beginning, and values some of the other films in the series rather highly,<br />

particularly in comparison with a number of their contemporaries.<br />

This <strong>thesis</strong> does not, by design and by virtue of its analysis, respond overtly<br />

to the accusation that formalists either promote a problematic ideology or uphold<br />

dominant ideological frameworks. However, my findings have responded to this<br />

implicitly, in a way that ties in with my response to questions of artistic “value” and<br />

“worth”. I have spent a great deal of this <strong>thesis</strong> addressing the Friday the 13 th films,<br />

which have been assessed negatively, on primarily ideological grounds, by Robin<br />

Wood as I addressed in Chapter 2 . This assessment is founded on summaries of the<br />

narrative and the selective analyses of aesthetic devices, largely claiming that the<br />

first film upholds conservative and reactionary sociopolitical ideologies. However, I<br />

have shown that the first film, while retaining a spare and minimal narrative,<br />

manages to be progressive stylistically, through its utilisation of European horror,<br />

particularly Italian giallo, aesthetics, unlike the bulk of its contemporaries.<br />

Furthermore, I have, as my primary aim, demonstrated how the Friday the 13 th film<br />

series has contributed to the aesthetic development of the slasher film with wider

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