21.11.2014 Views

Clayton George Wickham - final thesis

Clayton George Wickham - final thesis

Clayton George Wickham - final thesis

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

148<br />

and is a useful point of introduction for the analysis of the use of sound and editing<br />

in death sequences to indicate the perspective of an aggressor.<br />

The shots leading up to and including Samantha’s death are comparatively<br />

long, with a steady, deliberate editing pace. After her perspective is initially<br />

established through Samantha’s eye/camera shot approaching the raft, the image cuts<br />

to an extreme long shot of her climbing into the raft and lying down on her stomach.<br />

The score plays quiet, suspenseful music, and the sounds of her body against the<br />

water as she swims and leaps into the raft are very hushed and distant. The shot<br />

holds long enough for her to settle into the raft, squirming to get comfortable and<br />

gradually relaxing. With the shot still holding, the sound of a twig snapping and<br />

leaves rustling is heard slightly louder than her own movements, and she calls,<br />

“Paul! I know you’re out there!” Despite projecting her voice for Paul’s benefit, her<br />

voice sounds far away from the spectator. The shot then cuts to a close up of her<br />

looking out over the lake, the music still soft, but she then calls for Paul again, this<br />

time, her voice louder and clearer. After a long pause, she splashes the water with<br />

her hand and says “Screw you, Paul.” This statement along with the splash retains<br />

the volume of her previous line in the shot. She settles back onto the raft, and after a<br />

few moments, the sudden sound of movement in the water along with a sting from<br />

the score accompany a sudden cut to a full shot of Jason leaping out of the water<br />

beside Samantha in the raft and placing his hand on her back. At the moment he<br />

touches her, she screams, with the music on the score loud and tense, and there is a<br />

cut to a medium shot of Samantha, her head lying screen left, Jason’s hand on her<br />

shoulder in the middle of the frame. The music and her scream are sustained, but<br />

there is a ripping and a wet slicing sound, just before a spearhead emerges from<br />

Samantha’s lower back at the right of the frame. This shot remains steady, and holds

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!