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Clayton George Wickham - final thesis

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xlvi<br />

updated generic formula to it. Instead of Leatherface relegated to an easily<br />

recognisable, awkward, menacing character in a family of characters equally<br />

threatening, he became the central threat, with other characters facilitating his<br />

bloodlust, and occasionally fulfilling their own. The genre’s tendency toward selfreferentiality<br />

and cross-generic application was removed in favour of increasingly<br />

unpleasant and dramatically tense set pieces, also discussed by Wharton. (2011)<br />

Following this, multiple slasher properties were revived and adapted for<br />

contemporary audiences, resulting in The Hills Have Eyes (2006; dir. Aja), Black<br />

Christmas (2006; dir. Morgan), The Hitcher (2007; dir. Meyers), Halloween (2007;<br />

dir. Zombie), Prom Night (2008; dir. McCormick), My Bloody Valentine 3-D (2009;<br />

dir. Lussier), Friday the 13 th 2009, and A Nightmare on Elm Street (2010; dir.<br />

Bayer), among others. Most of these films utilised more unpleasant narratives and<br />

set pieces. Wharton’s paper articulates the tendency towards darker and more<br />

uncomfortable narrative elements concisely, as does segments of her forthcoming<br />

PhD <strong>thesis</strong>. Based on my analysis, some of the deaths that occur in these films<br />

linger on the extreme brutality and violence, and sometimes highlight the fragility of<br />

the body of the victim. This also tends to follow sequences that provide richer<br />

character development than what can be seen in earlier slasher films. Examples of<br />

this include many of the deaths in Rob Zombie’s remake of Halloween and its<br />

sequel, particularly with regards to Annie and Lynda, whose attacks are shown with<br />

extensive graphic and visceral detail, and their pain and fear is registered in extended<br />

amounts of screen time. The deaths of Andy and Morgan in The Texas Chainsaw<br />

Massacre create a similar effect, as do the deaths of Chewie and Amanda in Friday<br />

the 13 th (2009). Amanda’s death is a particularly illustrative example as it<br />

reimagines and adapts a famous death sequence in the series, which I will discuss in

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