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Clayton George Wickham - final thesis

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211<br />

Beginning also represent the potential for the creation of a difficult, challenging film<br />

to arise out of the strictures of a formulaic model and franchise continuity.<br />

These points regarding perspective all reveal significant yet fairly obvious<br />

observations with regards to the aesthetic treatment of horror and slasher films.<br />

More valuable observations can be made concerning the reading and analysis of the<br />

Friday the 13 th films, and even the slasher sub-genre as a whole. In order to make<br />

these observations, the focus on perspective has provided the opportunity to breach<br />

an aesthetic analysis of these films, and has proved a useful and potent starting point<br />

for spearheading a formalist analysis.<br />

Reviewing criticism and analysis of the Friday the 13 th films, much written to<br />

date tends to place the series in a negative light. Much of the writing from theorists<br />

who focus on the message of a film, in terms of narrative, or even structural<br />

observations regarding politics, gender, psychoanalysis, and cultural representation,<br />

suggests that Friday the 13 th , its sequels and the remake is of little or no value as an<br />

artistic artefact. Key theorists like Carol Clover and Robin Wood appear to make<br />

this very argument, and writers with a focus on narrative such as Kim Newman,<br />

while acknowledging the popularity of the series, seem to ignore the fact that these<br />

films provide anything significant or beneficial, and leave the franchise as little more<br />

than a series of fleeting references or footnotes. While these approaches can yield<br />

valuable results, the Friday the 13 th series is left with little to recommend it from<br />

such writing. However, through a review of the work of someone like Vera Dika,<br />

who looks at the film from a genre theory perspective, breaking it down to a series of<br />

successful generic elements that have been used as a model of reproducing previous<br />

generic successes in a manner which provides enough variety to engage viewers, and<br />

brings them back to such texts repeatedly, the importance of the series becomes more

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