How to Write a Radio Serial Drama for Social Development- PDF
How to Write a Radio Serial Drama for Social Development- PDF
How to Write a Radio Serial Drama for Social Development- PDF
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Chapter Eight: Scene <strong>Development</strong> 127<br />
7. Identify the emotion of each scene. One or two scenes in each episode<br />
should express a positive emotion, but perhaps not the opening or<br />
closing scenes. The opening scene needs <strong>to</strong> attract the audience with<br />
immediate action, and the closing scene should end on a note of<br />
suspense. In the episode treatment of Too Late, Too Bad, scenes 3 and 4<br />
express positive emotions, while the others are more negative.<br />
8. Pace each scene so that it gathers momentum <strong>to</strong>wards the end. After<br />
attracting the attention of the listeners with a hook at the beginning, the<br />
scene can slow down and the dialogue proceed more deliberately.<br />
Individual speeches can be a little longer in the middle portion of a<br />
scene, and this is where any major message in<strong>for</strong>mation should be<br />
conveyed. The dialogue should speed up at the end of the scene <strong>to</strong><br />
heighten the action, the emotion, and the tension and <strong>to</strong> end the scene<br />
on a note of expectation or suspense.<br />
9. Keep the scene on real time. <strong>Serial</strong> dramas proceed slowly, at the pace of<br />
real life. As much as possible, the action of each scene should occur<br />
within real time. In other words, if a scene lasts five minutes on the<br />
radio, then the characters should carry out only as much action as is<br />
possible in five minutes in real life. The use of real time encourages<br />
listeners <strong>to</strong> believe they are listening in on real life. (More in<strong>for</strong>mation on<br />
indicating and controlling time in a serial can be found in Chapter 6.)<br />
10. End each scene on a note of suspense or, at least, with an unanswered<br />
question. Leaving the action incomplete holds the audience’s attention as<br />
they wait <strong>to</strong> find out what will happen next in that particular plot. A<br />
suspenseful ending at the end of an episode is sometimes called a<br />
cliffhanger, a term that originated in early adventure serial movies. These<br />
films frequently ended with a chase scene in which the hero, trying <strong>to</strong><br />
escape the villain, slipped or tumbled over a cliff. There he would be left,<br />
literally hanging by his finger tips, as the episode ended. The audience<br />
would be <strong>for</strong>ced <strong>to</strong> wait until the next episode <strong>to</strong> find out if the hero<br />
would fall or be rescued. Today, the word cliffhanger refers <strong>to</strong> any<br />
suspenseful ending.<br />
8<br />
EXAMPLE<br />
18. MOTHER: (COMING IN, SCREAMING) My baby...my baby... Oh<br />
God...my baby.... Somebody’s taken my baby. Help me!<br />
19. MUSIC. CLOSING SIGNATURE MUSIC UP :05 AND OUT.<br />
20. NARRATOR: And so ends <strong>to</strong>day’s episode of our s<strong>to</strong>ry. We’ll have <strong>to</strong> wait till next<br />
time <strong>to</strong> find out what has happened <strong>to</strong> the baby. Be sure you’re<br />
listening.