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How to Write a Radio Serial Drama for Social Development- PDF

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172 Chapter Twelve: The Finished Script and <strong>Write</strong>r’s Check List<br />

Life in Hopeful Village Page 3 of 10<br />

Episode #36<br />

Draft: Final<br />

<strong>Write</strong>r: Elaine Perkins Date: July 1992<br />

34. ROY: I left her this morning lowing like<br />

thunder corked up in a grave.<br />

35. LJ: I’ve never yet heard of or seen a cow<br />

serviced with an injection. Bound <strong>to</strong><br />

give birth <strong>to</strong> a seven foot monster, or a<br />

thing with three heads. It can’t be good.<br />

36. ROY: Well the man from the Agricultural<br />

Department said....<br />

37. LJ: Cha! White collar type. Like the judge<br />

there. What do they know about<br />

anything I <strong>to</strong>ld you <strong>to</strong> mate that cow<br />

with my Redpole bull...then you would<br />

be sure of getting a first rate calf. But no!<br />

Artificial insemination, hah! But maybe<br />

you believe what Sawyers says...that I’m<br />

illiterate. That’s why you never count on<br />

my advice.<br />

38. ROY: Illiterate Littlejohn You Hie, Miss<br />

Birdie...bear me witness.... Doesn’t the<br />

entire district of Tydedixon hang on<br />

every word from this man’s mouth<br />

39. MISS B: On the word of the Bible! Littlejohn was<br />

born brilliant. His mother ate nothing<br />

but fresh fish when she was carrying him.<br />

40. ROY: Just the same, the Bible says you’re never<br />

<strong>to</strong>o old <strong>to</strong> learn. And I want <strong>to</strong> upgrade<br />

my s<strong>to</strong>ck....Get a better breed.<br />

Understand me, Miss Birdie<br />

41. LJ: I’m going <strong>to</strong> lodge a complaint about<br />

what <strong>to</strong>ok place here <strong>to</strong>day...with the<br />

Supreme Court. We’ll see who’s<br />

illiterate...when I sign my name. Hmm!<br />

Have you got the court order, Birdie<br />

42. MISS B: Right here in my purse.<br />

43. LJ: Let’s go then. I have <strong>to</strong> study it from <strong>to</strong>p<br />

<strong>to</strong> bot<strong>to</strong>m.<br />

44. ROY: So what about my cow, Littlejohn<br />

45. LJ: The extension officer got you in<strong>to</strong> this.<br />

Let him get you out. Come on, Birdie.<br />

46. MISS B: You go on...I’ll catch up with you.<br />

47. LJ: (GOING OFF) He who won’t listen<br />

must suffer.<br />

48. FX. DOOR BANGS IN DISTANCE.<br />

Figure of speech (simile) is typical <strong>for</strong> a person in<br />

this culture.<br />

Sub-plot is revealed and secondary theme,<br />

artificial insemination, is brought in very naturally.<br />

A new conflict is introduced, this time between<br />

Roy and Littlejohn.<br />

Longest speeches and bulk of in<strong>for</strong>mation are<br />

contained in the middle of the scene.<br />

Characters reveal themselves further. Littlejohn is<br />

the doubter as well as being stubborn. Roy is the<br />

seeker after new in<strong>for</strong>mation. Miss Birdie’s<br />

support of Littlejohn encourages the audience <strong>to</strong><br />

see the good in him.<br />

Overall theme of improving your own life is<br />

repeated.<br />

Emotion of pride is present throughout the scene.<br />

The tension mounts <strong>to</strong>wards the end of the scene.<br />

The conflict between the two men is unresolved,<br />

and the audience is left with the question, “Will<br />

Littlejohn help his friend or not”<br />

The scene transition is marked by Littlejohn<br />

banging the door behind him. It is clear that Birdie<br />

and Roy did not leave the scene.

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