How to Write a Radio Serial Drama for Social Development- PDF
How to Write a Radio Serial Drama for Social Development- PDF
How to Write a Radio Serial Drama for Social Development- PDF
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172 Chapter Twelve: The Finished Script and <strong>Write</strong>r’s Check List<br />
Life in Hopeful Village Page 3 of 10<br />
Episode #36<br />
Draft: Final<br />
<strong>Write</strong>r: Elaine Perkins Date: July 1992<br />
34. ROY: I left her this morning lowing like<br />
thunder corked up in a grave.<br />
35. LJ: I’ve never yet heard of or seen a cow<br />
serviced with an injection. Bound <strong>to</strong><br />
give birth <strong>to</strong> a seven foot monster, or a<br />
thing with three heads. It can’t be good.<br />
36. ROY: Well the man from the Agricultural<br />
Department said....<br />
37. LJ: Cha! White collar type. Like the judge<br />
there. What do they know about<br />
anything I <strong>to</strong>ld you <strong>to</strong> mate that cow<br />
with my Redpole bull...then you would<br />
be sure of getting a first rate calf. But no!<br />
Artificial insemination, hah! But maybe<br />
you believe what Sawyers says...that I’m<br />
illiterate. That’s why you never count on<br />
my advice.<br />
38. ROY: Illiterate Littlejohn You Hie, Miss<br />
Birdie...bear me witness.... Doesn’t the<br />
entire district of Tydedixon hang on<br />
every word from this man’s mouth<br />
39. MISS B: On the word of the Bible! Littlejohn was<br />
born brilliant. His mother ate nothing<br />
but fresh fish when she was carrying him.<br />
40. ROY: Just the same, the Bible says you’re never<br />
<strong>to</strong>o old <strong>to</strong> learn. And I want <strong>to</strong> upgrade<br />
my s<strong>to</strong>ck....Get a better breed.<br />
Understand me, Miss Birdie<br />
41. LJ: I’m going <strong>to</strong> lodge a complaint about<br />
what <strong>to</strong>ok place here <strong>to</strong>day...with the<br />
Supreme Court. We’ll see who’s<br />
illiterate...when I sign my name. Hmm!<br />
Have you got the court order, Birdie<br />
42. MISS B: Right here in my purse.<br />
43. LJ: Let’s go then. I have <strong>to</strong> study it from <strong>to</strong>p<br />
<strong>to</strong> bot<strong>to</strong>m.<br />
44. ROY: So what about my cow, Littlejohn<br />
45. LJ: The extension officer got you in<strong>to</strong> this.<br />
Let him get you out. Come on, Birdie.<br />
46. MISS B: You go on...I’ll catch up with you.<br />
47. LJ: (GOING OFF) He who won’t listen<br />
must suffer.<br />
48. FX. DOOR BANGS IN DISTANCE.<br />
Figure of speech (simile) is typical <strong>for</strong> a person in<br />
this culture.<br />
Sub-plot is revealed and secondary theme,<br />
artificial insemination, is brought in very naturally.<br />
A new conflict is introduced, this time between<br />
Roy and Littlejohn.<br />
Longest speeches and bulk of in<strong>for</strong>mation are<br />
contained in the middle of the scene.<br />
Characters reveal themselves further. Littlejohn is<br />
the doubter as well as being stubborn. Roy is the<br />
seeker after new in<strong>for</strong>mation. Miss Birdie’s<br />
support of Littlejohn encourages the audience <strong>to</strong><br />
see the good in him.<br />
Overall theme of improving your own life is<br />
repeated.<br />
Emotion of pride is present throughout the scene.<br />
The tension mounts <strong>to</strong>wards the end of the scene.<br />
The conflict between the two men is unresolved,<br />
and the audience is left with the question, “Will<br />
Littlejohn help his friend or not”<br />
The scene transition is marked by Littlejohn<br />
banging the door behind him. It is clear that Birdie<br />
and Roy did not leave the scene.