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How to Write a Radio Serial Drama for Social Development- PDF

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Chapter Eleven: Script Presentation 163<br />

Noting Technical In<strong>for</strong>mation in the Script<br />

There are no hard and fast rules about how <strong>to</strong> word technical instructions<br />

about sound effects, music, and the like. Many radio direc<strong>to</strong>rs have their own<br />

preferences <strong>for</strong> how these details should be indicated, so the writer might<br />

want <strong>to</strong> consult the direc<strong>to</strong>r on this question. Perhaps the best rule is <strong>to</strong> keep<br />

the instructions simple and clear. The following directions are generally<br />

acceptable <strong>to</strong> most direc<strong>to</strong>rs in most cultures.<br />

Direction<br />

Meaning<br />

1. MUSIC. FADE UP<br />

2. MUSIC UP :10. CUT<br />

3. MUSIC UP :05. FADE UNDER AND HOLD<br />

4. MUSIC :05. FADE UNDER AND OUT<br />

5. MUSIC UP :05. CROSS FADE TO<br />

6. FX. CHICKENS CLUCKING<br />

7. FX. TRUMPETS AT DISTANCE :03<br />

BRING IN RAPIDLY. HOLD UP :03. CUT<br />

8. CUT IN TAPE EP#23. PAGE 5. LINES 4 - 12,<br />

JOHN: “Today is my birthday”...<strong>to</strong>...MAVIS:<br />

“You’d better come home early.”<br />

9. FX. SCHOOL PLAYGROUND SOUND BED<br />

THROUGH SCENE.<br />

10. FX. COWS MOOING. OCCASIONAL.<br />

THROUGHOUT SCENE.<br />

11. MUSIC. FADE UP THEME MUSIC<br />

THROUGH FINAL SPEECH. THEN UP TO<br />

END.<br />

Start with the music very soft and gradually raise the<br />

volume.<br />

Start with the music at full volume. Let it run <strong>for</strong> ten<br />

seconds. Then cut (s<strong>to</strong>p) it.<br />

Start with the music at full volume. Let it run <strong>for</strong> five<br />

seconds, then fade it down <strong>to</strong> a low level and keep it<br />

playing under the dialogue that follows.<br />

Let the music play <strong>for</strong> five seconds. Then fade the<br />

volume down <strong>for</strong> a few seconds, and then cut (s<strong>to</strong>p) it<br />

al<strong>to</strong>gether.<br />

Play the music alone <strong>for</strong> five seconds. Then gradually<br />

lower the volume of the music and, at the same time,<br />

begin the sound effect of the chickens softly and<br />

increase its volume. Once the chicken sound effect is<br />

established, the music should be cut completely.<br />

The trumpet sound should be heard quietly (as if in<br />

the distance) <strong>for</strong> three seconds. Then the volume<br />

should be raised rapidly and held at <strong>to</strong>p volume <strong>for</strong><br />

three seconds, and abruptly cut (s<strong>to</strong>pped).<br />

Include a segment of the previously recorded episode<br />

number 23, as indicated by the page and line<br />

numbers and the speech cues.<br />

The sounds of a school playground should be played<br />

softly in the background through out the scene. The<br />

dialogue is heard over it.<br />

The sound of cows mooing should be played softly<br />

several times throughout the scene.<br />

Bring the closing music in quietly under the<br />

announcer’s voice during the closing remarks of the<br />

program. When the announcer finishes, bring the<br />

music up loudly <strong>to</strong> end the program.<br />

11

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