How to Write a Radio Serial Drama for Social Development- PDF
How to Write a Radio Serial Drama for Social Development- PDF
How to Write a Radio Serial Drama for Social Development- PDF
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148 Chapter Ten: Testing the Pilot Programs<br />
Topics in This Chapter<br />
❖<br />
❖<br />
❖<br />
❖<br />
The importance of pilot programs<br />
The purpose of pilot scripts<br />
Five areas <strong>to</strong> be tested<br />
The Nine Ps of effective Enter-Educate<br />
programs<br />
The Importance of Pilot Programs<br />
Pilot programs guide the construction of future programs in the same way<br />
that a coastal pilot guides a ship in and out of port. Their purpose is <strong>to</strong><br />
ensure that the s<strong>to</strong>ry ideas and message presentation prepared by the design<br />
team and incorporated in<strong>to</strong> the script are appropriate and likely <strong>to</strong> be<br />
successful. During pilot tests—which take place be<strong>for</strong>e full-time script<br />
writing and production begins—a sample audience listens <strong>to</strong> pilot programs<br />
created especially <strong>for</strong> the testing process and then responds <strong>to</strong> written<br />
questionnaires or participates in focus-group discussions.<br />
Even be<strong>for</strong>e <strong>for</strong>mal pilot testing is done, some writers like <strong>to</strong> try out ideas<br />
on representative members of the audience. This type of testing does not<br />
require the scripts <strong>to</strong> be recorded on tape. Instead, the trial scripts can be<br />
read aloud <strong>to</strong> the audience, either by the writers themselves—if they are good<br />
readers—or by ac<strong>to</strong>rs.<br />
The program manager and the evaluation team decide when, where, and<br />
how <strong>to</strong> test the pilot programs on a <strong>for</strong>mal basis. While the writers of prosocial<br />
drama are not expected <strong>to</strong> be experts in evaluation, they should be<br />
present during the tests and should join the evaluation team in interpreting<br />
the results. This lets them see firsthand how well their scripts meet the needs<br />
of the audience and of the project designers.<br />
It is usually necessary <strong>to</strong> test only three or four programs if the writer<br />
fulfills these three important obligations while writing:<br />
• Becoming well acquainted with the audience;<br />
• Consistently using the <strong>Write</strong>r's Brief as the foundation <strong>for</strong> plot and<br />
message development; and<br />
• Structuring the plots, characters, and settings of the serial correctly.<br />
The pilot scripts, however, should not be limited <strong>to</strong> the first few episodes<br />
in the serial, because the s<strong>to</strong>ry in these early episodes has not advanced very<br />
far and the message has only just been introduced. Instead, pilot scripts<br />
should be drawn from different parts of the scope and sequence list, <strong>for</strong><br />
example, episodes 1, 20, and 35 of a 52-episode serial. Pilot tests also can be