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How to Write a Radio Serial Drama for Social Development- PDF

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148 Chapter Ten: Testing the Pilot Programs<br />

Topics in This Chapter<br />

❖<br />

❖<br />

❖<br />

❖<br />

The importance of pilot programs<br />

The purpose of pilot scripts<br />

Five areas <strong>to</strong> be tested<br />

The Nine Ps of effective Enter-Educate<br />

programs<br />

The Importance of Pilot Programs<br />

Pilot programs guide the construction of future programs in the same way<br />

that a coastal pilot guides a ship in and out of port. Their purpose is <strong>to</strong><br />

ensure that the s<strong>to</strong>ry ideas and message presentation prepared by the design<br />

team and incorporated in<strong>to</strong> the script are appropriate and likely <strong>to</strong> be<br />

successful. During pilot tests—which take place be<strong>for</strong>e full-time script<br />

writing and production begins—a sample audience listens <strong>to</strong> pilot programs<br />

created especially <strong>for</strong> the testing process and then responds <strong>to</strong> written<br />

questionnaires or participates in focus-group discussions.<br />

Even be<strong>for</strong>e <strong>for</strong>mal pilot testing is done, some writers like <strong>to</strong> try out ideas<br />

on representative members of the audience. This type of testing does not<br />

require the scripts <strong>to</strong> be recorded on tape. Instead, the trial scripts can be<br />

read aloud <strong>to</strong> the audience, either by the writers themselves—if they are good<br />

readers—or by ac<strong>to</strong>rs.<br />

The program manager and the evaluation team decide when, where, and<br />

how <strong>to</strong> test the pilot programs on a <strong>for</strong>mal basis. While the writers of prosocial<br />

drama are not expected <strong>to</strong> be experts in evaluation, they should be<br />

present during the tests and should join the evaluation team in interpreting<br />

the results. This lets them see firsthand how well their scripts meet the needs<br />

of the audience and of the project designers.<br />

It is usually necessary <strong>to</strong> test only three or four programs if the writer<br />

fulfills these three important obligations while writing:<br />

• Becoming well acquainted with the audience;<br />

• Consistently using the <strong>Write</strong>r's Brief as the foundation <strong>for</strong> plot and<br />

message development; and<br />

• Structuring the plots, characters, and settings of the serial correctly.<br />

The pilot scripts, however, should not be limited <strong>to</strong> the first few episodes<br />

in the serial, because the s<strong>to</strong>ry in these early episodes has not advanced very<br />

far and the message has only just been introduced. Instead, pilot scripts<br />

should be drawn from different parts of the scope and sequence list, <strong>for</strong><br />

example, episodes 1, 20, and 35 of a 52-episode serial. Pilot tests also can be

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