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How to Write a Radio Serial Drama for Social Development- PDF

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186 Chapter Thirteen: The Value of Editing<br />

Editing <strong>to</strong> Heighten Scene Momentum<br />

Keeping the momentum going in a scene that is delivering important<br />

message in<strong>for</strong>mation can be difficult, as the following scene illustrates. In this<br />

excerpt from the Pakistani radio series, Sukhi Ghar (Happy Home), a health<br />

worker, Shaista, comes <strong>to</strong> consult an important village member, Chauhdri,<br />

about a scheme <strong>for</strong> providing women with a simple income-generating<br />

business. In the previous episode, Shaista tried <strong>to</strong> convince Chauhdri and his<br />

wife that their ten-year-old daughter, Razia, is <strong>to</strong>o young <strong>to</strong> be engaged and<br />

certainly <strong>to</strong>o young <strong>to</strong> be married. Chauhdri was prepared <strong>to</strong> listen <strong>to</strong><br />

Shaista’s arguments, but his wife was not. (In the interest of space, the name<br />

Shaista has been abbreviated <strong>to</strong> Shai in the script, and Chauhdri <strong>to</strong> Chau.)<br />

Original Version<br />

Edited Version<br />

1. SHAI: Chauhdri, I have <strong>to</strong> consult you.<br />

2. CHAU: Please do.<br />

3. SHAI: I desire <strong>to</strong> start a commercial training<br />

center <strong>for</strong> women in Sukhi Nagar.<br />

4. CHAU: What do you mean, center What<br />

would they do in this center<br />

5. SHAI: Skilled craft work...knitting, sewing,<br />

basket making...things like that.<br />

6. CHAU: They already do that in their homes.<br />

7. SHAI: Yes, but if they were <strong>to</strong> bring their<br />

goods <strong>to</strong> my shop in <strong>to</strong>wn they would<br />

sell easily and make a good side income<br />

<strong>for</strong> the women.<br />

8. CHAU: Why ask me, my son You and the local<br />

women should discuss it.<br />

9. SHAI: I am asking you because we need a<br />

suitable place <strong>for</strong> such a center, and I<br />

would like <strong>to</strong> use your premises.<br />

10. CHAU: That sounds fine. I’ll ask my wife. Our<br />

back yard is vacant. You can use that,<br />

and I’m sure my wife will want <strong>to</strong> be<br />

involved also. But I must warn you of<br />

something...<br />

11. SHAI: What is that<br />

12. CHAU: People here...what they have not done<br />

be<strong>for</strong>e, they hesitate <strong>to</strong> start...they have<br />

suspicions and misgivings.<br />

1. SHAI: Chauhdri, I have <strong>to</strong> consult with you.<br />

2. CHAU: Please do.<br />

3. FX. CHILD SCREAMING. GENERAL<br />

COMMOTION.<br />

4. SHAI: Whatever is that terrible noise<br />

5. CHAU: Just Razia...she’s a very willful child.<br />

Always screaming and carrying on. So,<br />

what did you want<br />

6. SHAI: I desire <strong>to</strong> start a commercial training<br />

center <strong>for</strong> women in Sukhi Nagar.<br />

7. CHAU: What do you mean, center What<br />

would they do in this center<br />

8. SHAI: Skilled craft work...knitting, sewing,<br />

basket making...things like that.<br />

9. CHAU: They already do that in their homes.<br />

10. SHAI: Yes, but if they were <strong>to</strong> bring their<br />

goods <strong>to</strong> my shop in <strong>to</strong>wn they would<br />

sell easily and make a good side income<br />

<strong>for</strong> the women.<br />

11. FX. CHILD CRYING LOUDLY AND<br />

CALLING OUT “NO."<br />

12. SHAI: She doesn’t sound happy, that little<br />

Razia. Is she upset about her<br />

engagement<br />

13. CHAU: She’s always like that when she<br />

contradicts her mother. It is nothing, it<br />

will pass. But...back <strong>to</strong> your idea...why<br />

are you asking ME about it

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