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How to Write a Radio Serial Drama for Social Development- PDF

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208 Chapter Thirteen: The Value of Editing<br />

Konoweeka Page 9 of 10<br />

Episode #8 Draft: #11<br />

<strong>Write</strong>r: Kiyingi Oc<strong>to</strong>ber 1996<br />

133. JOHN: And you expect this new wife also <strong>to</strong> give<br />

you many children<br />

134. SSEKA: (JUMPING IN) She is still very<br />

young...She will be able <strong>to</strong>.<br />

135. JOHN: Are you financially able <strong>to</strong> provide <strong>for</strong> all<br />

these people adequately<br />

136. SSEKA: I would advise you <strong>to</strong> direct the question<br />

<strong>to</strong> the Lord. If it is his wish that my<br />

children live, then they shall live.<br />

137. JOHN: What I meant was, can you feed them,<br />

clothe them, and educate them properly<br />

138. SSEKA: Let me repeat what I said earlier, that it is<br />

the Lord who can answer the question.<br />

139. JOHN: The Lord created us all <strong>to</strong> be good and<br />

useful people. Un<strong>for</strong>tunately, some of us<br />

have different ideas. That is why some<br />

people become thieves, others murderers.<br />

140. SSEKA: Then, who creates the thieves and<br />

murderers<br />

141. JOHN: The people themselves, and this annoys<br />

God very much, just as you are doing.<br />

142. SSEKA: (DEFENSIVELY) <strong>How</strong><br />

143. JOHN: Producing a family which you cannot<br />

support. It is like trying <strong>to</strong> get a harvest<br />

out of an unplanned garden. You cannot<br />

collect a good yield.<br />

144. SSEKA: Who are you<br />

145. JOHN: Just call me John. Having more children<br />

than you can af<strong>for</strong>d means you cannot<br />

look after yourself or your wives properly.<br />

It is like building a house without first<br />

drawing a plan.<br />

147. SSEKA: S<strong>to</strong>p beating about the bush and tell us<br />

exactly what you want us <strong>to</strong> hear.<br />

148. JOHN: Raising a family without using Family<br />

Planning is like building a house without<br />

a plan.<br />

149. (EVERYONE LAUGHS)<br />

150. SSEKA: Driver, s<strong>to</strong>p the taxi!<br />

151. ZAK: Is this where you are going<br />

What action, if any, is developing in this scene<br />

<strong>How</strong> realistic is Sseka’s reaction <strong>to</strong> John<br />

Is there any predominant emotion developing in<br />

this scene<br />

What is the audience likely <strong>to</strong> see as the dramatic<br />

conflict of this drama

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