How to Write a Radio Serial Drama for Social Development- PDF
How to Write a Radio Serial Drama for Social Development- PDF
How to Write a Radio Serial Drama for Social Development- PDF
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208 Chapter Thirteen: The Value of Editing<br />
Konoweeka Page 9 of 10<br />
Episode #8 Draft: #11<br />
<strong>Write</strong>r: Kiyingi Oc<strong>to</strong>ber 1996<br />
133. JOHN: And you expect this new wife also <strong>to</strong> give<br />
you many children<br />
134. SSEKA: (JUMPING IN) She is still very<br />
young...She will be able <strong>to</strong>.<br />
135. JOHN: Are you financially able <strong>to</strong> provide <strong>for</strong> all<br />
these people adequately<br />
136. SSEKA: I would advise you <strong>to</strong> direct the question<br />
<strong>to</strong> the Lord. If it is his wish that my<br />
children live, then they shall live.<br />
137. JOHN: What I meant was, can you feed them,<br />
clothe them, and educate them properly<br />
138. SSEKA: Let me repeat what I said earlier, that it is<br />
the Lord who can answer the question.<br />
139. JOHN: The Lord created us all <strong>to</strong> be good and<br />
useful people. Un<strong>for</strong>tunately, some of us<br />
have different ideas. That is why some<br />
people become thieves, others murderers.<br />
140. SSEKA: Then, who creates the thieves and<br />
murderers<br />
141. JOHN: The people themselves, and this annoys<br />
God very much, just as you are doing.<br />
142. SSEKA: (DEFENSIVELY) <strong>How</strong><br />
143. JOHN: Producing a family which you cannot<br />
support. It is like trying <strong>to</strong> get a harvest<br />
out of an unplanned garden. You cannot<br />
collect a good yield.<br />
144. SSEKA: Who are you<br />
145. JOHN: Just call me John. Having more children<br />
than you can af<strong>for</strong>d means you cannot<br />
look after yourself or your wives properly.<br />
It is like building a house without first<br />
drawing a plan.<br />
147. SSEKA: S<strong>to</strong>p beating about the bush and tell us<br />
exactly what you want us <strong>to</strong> hear.<br />
148. JOHN: Raising a family without using Family<br />
Planning is like building a house without<br />
a plan.<br />
149. (EVERYONE LAUGHS)<br />
150. SSEKA: Driver, s<strong>to</strong>p the taxi!<br />
151. ZAK: Is this where you are going<br />
What action, if any, is developing in this scene<br />
<strong>How</strong> realistic is Sseka’s reaction <strong>to</strong> John<br />
Is there any predominant emotion developing in<br />
this scene<br />
What is the audience likely <strong>to</strong> see as the dramatic<br />
conflict of this drama