How to Write a Radio Serial Drama for Social Development- PDF
How to Write a Radio Serial Drama for Social Development- PDF
How to Write a Radio Serial Drama for Social Development- PDF
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196 Chapter Thirteen: The Value of Editing<br />
The Other Side (edited) Page 3 of 5<br />
Episode #1 Draft: #2<br />
<strong>Write</strong>r: Nelson Date: Oc<strong>to</strong>ber 1996<br />
26. SAM: So now, you have the right <strong>to</strong> tell me not <strong>to</strong> chop down MY trees. What am I supposed <strong>to</strong> use<br />
<strong>for</strong> firewood<br />
27. JOJO: Get wood from the mountain <strong>to</strong>p...everyone else does.<br />
28. SAM: Everyone else doesn’t have <strong>to</strong> run a farm AND work in a fac<strong>to</strong>ry as I do. I can’t make a living on<br />
that one small piece of land.<br />
29. JOJO: So now it’s my fault that your family doesn’t have enough land.<br />
30. SAM: Yes, it’s your fault and (ANGRY) I’m going <strong>to</strong> s<strong>to</strong>p you if I have <strong>to</strong> kill you!<br />
31. MUSIC. SHORT CHORD.<br />
Scene 4<br />
32. FX. CLINIC NOISES...BABIES CRYING. ETC.<br />
33. MAYA: Everything looks fine, Momma Juno. You are obviously remembering <strong>to</strong> take your pill every<br />
day...and you don’t have any side effects.<br />
34. JUNO: Not like I did in the first few months...I didn’t like all that extra bleeding and cramping...but<br />
you were right sister Maya. You’re always right.<br />
35. MAYA: (LAUGHING) Not always...But I’m glad I was right this time. Now you and your husband can<br />
take your time <strong>to</strong> decide if you want any more children or not.<br />
36. JUNO: Sam says two is enough. He says he wants <strong>to</strong> have a vasec<strong>to</strong>my. But I’m not sure. My mother<br />
had eight children. It’s hard <strong>for</strong> me <strong>to</strong> get used <strong>to</strong> these new ideas...<br />
37. MAYA: As long as you stay on the pill, you won’t get pregnant again, and you’ll have time <strong>to</strong> think<br />
about what you want <strong>to</strong> do.<br />
38. MUSIC. PERCY’S GUITAR IS HEARD SOFTLY IN THE BACKGROUND. HOLD UNDER.<br />
39. JUNO: Is that Percy What’s he doing here Does he come here <strong>for</strong> medicine<br />
40. MAYA: No, he isn’t sick... He’s come <strong>to</strong>...<br />
41. JUNO: (INTERRUPTING) You mean he’s mad, but he isn’t sick.<br />
42. MAYA: (LAUGHING) Percy isn’t mad...he just sees things differently. He has good reason <strong>for</strong> his<br />
strange ways. But he’s a good man. He’s here <strong>to</strong>day <strong>to</strong> help me with what people are bringing <strong>for</strong><br />
the Smallwood disaster.<br />
43. JUNO: Oh yes, I want <strong>to</strong> give you some money... it’s not much. There is hardly enough <strong>to</strong> go around<br />
these days, but...<br />
44. FX. SOUND OF COINS DROPPED ON TABLE.<br />
45. HELDA: (COMING IN) And I’ve got a few clothes... baby things... It’s so awful. What would we do if<br />
something like that happened in Clay<strong>to</strong>n<br />
46. JUNO: Why do such terrible things happen<br />
47. HELDA: (SCOFFING) Ask him.... HE knows the answer.<br />
48. MAYA: Who.... Percy