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How to Write a Radio Serial Drama for Social Development- PDF

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128 Chapter Eight: Scene <strong>Development</strong><br />

Listeners have no idea who has taken the baby or even if the mother’s<br />

emotional outburst is justified. They will have <strong>to</strong> wait <strong>for</strong> the next scene in<br />

this plot <strong>to</strong> find out what all the shouting is about.<br />

Weaving the Elements of a Scene Together<br />

The following scene, taken from the first episode of the Bangladeshi drama,<br />

Goi Geramer Goppo (Tale of a Village), shows how the various elements of a<br />

scene are woven <strong>to</strong>gether. The scene involves Shahar, his first wife, Jaigun,<br />

and their 10-year-old daughter, Fuli. Shahar, a selfish, unpleasant man,<br />

blames Jaigun <strong>for</strong> not giving him a son. Moreover, he is feeling threatened by<br />

all the new ideas offered by the visiting health worker and overcome by the<br />

increasing costliness of his life. He has arranged <strong>to</strong> take his middle daughter,<br />

Fuli, <strong>to</strong> the city and put her in<strong>to</strong> a job as a house maid—a decision of which<br />

the audience is aware from an earlier scene, but which is unknown <strong>to</strong> Jaigun<br />

and Fuli. Commentary in the right-hand column points out how well the<br />

scene follows the guidelines discussed above. (This script, like the others in<br />

this book, adheres <strong>to</strong> script presentation conventions that are described in<br />

detail in Chapter 11.)

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